Yearly Archives: 2015

Commonplace Thoughts of a Residual Welshman: Unexpected Surprises and il Commune

view of Hermann, MO
Hermann, MO

It is often said, “Life is full of …,” and then after a pause, suited to the given situation or conversation, comes another word, more often than not, plural, sometimes preceded by an adjective, sometimes an adjective adverb combination. Among the possibilities are, “widespread suffering,” “stark natural wonders,” “very tragic events” or a combination of antitheses, “ups and downs,” “joy and sorrow” or the like. Now I admit that from time to time it happens that someone simply says, “pain.” But that person would likely be speaking from some kind of personal experience; something difficult might have happened in his or her life to prompt such a pronouncement. And it befits the interlocutor to listen to that person’s account of the pain, as he or she shows empathy. Pathos, indeed, is at the core of human existence.

Yet so is joy. One can, in Aristotelian fashion, divide joy into a great number of categories. One such category could be the mutual sense of it in unexpected pleasures. These communal experiences might consist of surprises, those delicate shavings of time in which one can participate in a different kind of empathy than commiseration. This kind of empathy—where the word’s root pathos connotes experience rather than suffering—is the very kind we shared with Martha somewhere between Mt. Sterling, Owensville, and Hermann, Missouri, the burial place of George Bayer, whose grave I quasi-reverently (thoughtfully, at least) visited while jogging. Martha’s cheese shop is auspiciously named “Cool Cow,” one of whose “girls” was the covercow for an issue of the (perhaps not widely circulated) Sauce magazine. cheese magazine coverThat lovely most certainly off-the-beaten-track cheesery enjoys a contiguous and equally aptly named Bed and Breakfast, “M(artha) and T(om) Farm, LLC.” Tom, the principal cheesemaker, was away from his post, but Diane and I were happy to sample his tasty production at the hands of his wife, Martha, whose smile and piety can fill any room—it certainly did the cheesery whose smell and ambience we enjoyed for a few minutes that afternoon.

Martha of M&T Farms
Martha of M&T Farms

“Looks like a storm is coming,” Martha observed, making conversation as she glanced out the window between explanations and samples of Tom’s cheese production, adding “This one is a Havarti.”

“A real type-O cheese,” I observed, of course surreptitiously citing one of the funniest episodes in the Curious Autobiography (“Tea with the Professor,” 120–138).

“This one is a mild Irish-style cheddar,” she added oxymoronically, moving on to the next sample. To these she added several others, all quite nice. Alas, there was no Hên Sîr, but I did not expect as much. I told her that the Hên Sîr had been in our family an unusual symbol of authentic spiritual renewal (Curious Autobiography, 198–205). To this statement, I am glad to say, she did not look as puzzled as I would have expected; but she is married to a cheesemaker, so she might just understand.

Martha and Tom's "cheese cave"
Martha and Tom’s “cheese cave”

Finally, she revealed a cheese developed by an international congress that had met in Greece. I was assuming it would taste sharp and salty, like feta. Yet it did not; it was something more like a combination of Swiss and Gouda. I’d never heard of (what might be called) a diplomacy cheese, but as I ate it I thought, “If there were a cheese that could effect world peace, or at least a long-needed ceasefire, this would be that cheese,” for it was superb. Then I thought, using Welsh logic, “No wonder diplomacy has largely been effective on the European continent ever since the Second Great War.”

Hermann mapThe unexpected surprises that Diane and I shared not only with each other but also with those whom we met didn’t end there—there was Kathy at the White Mule Winery whose family had lived near that bend of Highway 50 in Owensville for generations, and the aptly named (if you fancy Mel Gibson films) William Wallace at the Hermannhof Winery and Sausage Shop, the name of which establishment is itself a mouthful. He had connected again with a girl whom he had adored in junior high school and married here—the stuff of a romantic film—and now, as he described his life in Gasconade County along the banks of the gently flowing Missouri River, he lived in paradise. Finally, there was the lovely mead winemaking family consisting of Esther and her son Patrick, chief winemaker of the Martin Brothers Winery, whose concoctions are carefully wrought—quite tasty, worth the drive. His brother Jonathan, founder of the business, was not present, as he was presumably traversing nearby meadows in search of just the right miel for the next mead making.

Patrick of Martin Bros. Winery
Patrick of Martin Bros. Winery

What I am getting at is this: contrary to the ideas inherent in the preferred means of communication (and of photography) these days, unexpected joys are by and large not “self” things. They require sharing, and sharing builds something that the Italians call il commune. I might have better chosen a German word, inasmuch as Hermann is a thoroughly German burgh; but the German Gemeinschaft does not quite render the Italian. The Italian does not mean “community” per se; it means, rather, a shared cultural experience that might include a sense of Gemeinschaft, and even a shared municipality, but includes something else, as well. It is (of course) less formal than the German, and more fluid. In any case, we shared a moment of il commune with Martha, Esther, William and Kathy.

William Wallace at Hermannhof Winery
William Wallace at Hermannhof Winery

Yet someone will point out that it is much easier to live life as it comes, just to take things as they are and not bother to go snooping about for such a sense of shared experiences. And, of course, that is possible. It is equally possible to see life as mired in difficulty and thus take a rather gloomy view of things—and here I speak as a residual Welshman who has from time to time himself taken the gloomier view. But when we do that, we can quite easily miss the joy that is there for the discovering, and we shall certainly miss the sense of il commune.

And then there’s marriage, for the reason we took this long trip was to go to a wedding. Now the wedding itself is likely not to have too many unexpected surprises; when a wedding does, it is normally a bad thing. But the life of two people together should be one of that very thing: il commune and with it, the concomitant opportunity for the discovery of unexpected joys. And that is what I wish for that couple as I close this blog: a life of il commune, which one must be intentional about building, and of unexpected delights. I suspect they will do this, for they are special because their very names suggest an apostle and a vine—perhaps they will choose John 15 for their ceremony—and have had their own cheese moments, at least insofar as cheese might serve as a symbol of spiritual renewal. I wish them, too, a perpetual sense of shared discovery.

I have the same hope for a not-so-recently wed Welsh couple, also close friends, who seem to have taken the gloomier view lately. For them, it may be time again to look for the joy in the simple discoveries of life, such as can be found in a young family like their own. That couple must build il commune again. Perhaps cheese can be, for them, too, a symbol of shared spiritual renewal.

May both of these couples, Welsh and un-Welsh alike, share and delight in il commune, and may you, too, dear reader, have the opportunity to do so, as well, as you enjoy a bite of cheese from a perhaps unexpected quarter, remembering that cheese has been known to build domestic and international bridges and, surprisingly, from time to time even effect continental peace.

 

 

Commonplace Thoughts of a Residual Welshman: The View from Here

“Well, yes, thank you, I think I will,” Reverend Griffith responded to the invitation of Elaine Jakes’ mother, Blanche, to come in for some cool, almost iced, Black Current tea, served with homemade water biscuits, and Hen Sir cheese. So it was that after church, the devoted rector was making a few pastoral visitations on that warm, far too humid summer afternoon of the first of August in 1937, nigh upon eighty years ago now. Even though it was a bit outside of his regular rounds further down the Susquehanna River in Plymouth and Larksville, Reverend Griffith came to Kingston, mainly because Blanche and Harry lived there, quite a stretch from Plymouth’s Gaylord Avenue Welsh Calvinistic Presbyterian (and therefore tautological) Church, a house of God with far too long a name.

Harry and Blanche Jakes
Harry and Blanche Jakes

Nevertheless, the good cleric traversed that far distance, specifically to the house of Jemima Jones, where also dwelt Jemima’s niece, Blanche, and her husband, Harry. Jemima had taken in the recently wed couple a decade before, and they were in the process of raising a young family in that fine, but far from fancy duplex there near the intersection of Rutter Avenue and Pierce Street.

“There’s a lot of love in this house,” said the reverend. “You have a fine family, Blanche.”

“Pshaw,” followed by a pause; then she added, “But thank you. Harry is in the backyard. Why don’t you go out and chat with him and I’ll bring the tea and cheese out to you. It’s Black Current tea, Reverend.”

“How rare, hard to find these days. It sounds wonderful, Blanche,” he said making his way onto the narrow back porch.

There sat Harry in a ribbed tank-top tee shirt and shorts in the middle of the yard on a folding chair with his feet in a washbasin-sized bucket of cool water, which he was splashing up on his chest and head just as the reverend descended the back steps. After he welcomed Hugh Griffith with the proper august holy-ringing title he said, “It’s a tiny yard, but I love it. It’s cool here in the shade of the house and the trees, and I come out here to clear my head, to pray.”

As Harry tended to write down his prayers, it is likely that he actually went into the back yard to compose with pencil and paper. I won’t talk about that today, though, as I’m writing about something else, his yard. Harry loved that backyard, and though I suspect, in terms of its comeliness, Reverend Griffith might have failed to see why anyone might love it, no doubt he grasped its importance to Harry as a refuge from the troubles of life, a place where he could go and think—or rather be still—and, as he said, pray. No doubt Reverend Griffith admired the latter—he was, after all, a Presbyterian minister—and he likely knew that for Harry praying started with writing; he knew, too, that writing, reflecting and praying took place in Harry’s backyard on a regular basis. That much anyone who ever knew Harry would have known, for he was gentle and kind. And, as if on his behalf, the tiny yard seemed to divulge as much.

 

Texas Hill Country
Texas Hill Country
San Antonio
San Antonio

My Italian friends would call even such a postage-stamp-sized backyard as my grandfather had, a giardino. Now this is important not simply because Italians have the unique capacity to make all things sound more beautiful than they really are but because they also have the capacity of pointing out the beauty in something that you might otherwise have overlooked. For example, while most of my American friends from the eastern coast of the country are essentially allergic to Texas, my Italian friends are not. One and all, they love the state, and find great beauty in its prairies, shoreline, Hill Country and, among its cities, San Antonio in particular. Thus, I’m sure that Harry’s Italian friends referred to his tiny yard as his giardino. I’m sure they said, “Your giardino, it is beautiful!”—saying as much in a comely and robust Italian accent, of course.

And they likely said the same of the mimosa in the front yard, a small tree that Blanche adored. And then there were two or three rose bushes that Harry tended dutifully. These entwined a lattice that ran along the side of the house by the carport, next to the door that opened, after five ascending steps, into the kitchen. Next to that rose bush was a heavy, thick, oblong stone about a foot in length, into which Harry had faintly carved “Harry + Blanche,” a lover’s whisper, hand-engraved, time-defying. That rock marked the holy temenos that made their yard, small as it was, a place of beauty and wonder whose paltry amount of flora and fauna was more than enough. It was a giardino.

That’s where Reverend Griffith sat with my future grandparents—for Blanche had joined the men, as Jemima had taken the girls out for a stroll with her sister Elizabeth Ann—drinking iced tea and eating Hen Sir cheese, the Welsh cheese that oddly came to symbolize spiritual renewal in our family. But all of this is, of course, wryly chronicled in The Curious Autobiography. And so they chatted, speaking about topics that the cleric liked, such as God’s sovereignty, mercy and charity, and topics that Harry liked, such as his hope to get a job away from the coal mines, the threat of war in Europe, and how good Hen Sir was with a smidgen of strawberry jam (for Blanche had included that with the homemade biscuits). And how much he appreciated that the reverend now preached sermons in Welsh and English both, as Harry confessed that his Welsh was lacking.

Ocean Grove
Ocean Grove

They also spoke of Ocean Grove, New Jersey, where there was another view altogether, not of a giardino, but of the majestic Atlantic, which will be the topic of another blog.

Bay of Naples
Bay of Naples

So the conversation went. Now I myself have seen some pretty superb views, such as the Bay of Naples, as I peered out from behind a well-placed sphinx, to the view of Baltic Sea from Vogelfluglinie ferry that brings you to incomparable Copenhagen. I’ve walked upon Virginia’s Blue Ridge Mountains, thrown a Frisbee in the Villa Doria Pamphilij, where far and wide one can see Respighi’s inspiration on display.

Pines of Rome in Villa Doria Pamphilij
Pines of Rome in Villa Doria Pamphilij

I’ve visited the amazing Abbey district of St. Gallen and gawked at the heaven-like interior of the abbey library—mirable visu—not to mention the Alps themselves, in which the town of St. Gallen is nestled. But I say Harry and Blanche’s giardino was a finer view than any of these.

St. Gallen library
St. Gallen library

 

Sappho
Portrait Bust of Sappho

In one of her most amazing poems, the Greek poet Sappho puts it this way, “some say an army of cavalry, or infantry, or sailors is the most beautiful thing across this coal-black earth, but I say it is whatever you love” (fgt. 16). A giardino is no army, but it springs from the coal-black earth and it is a place that one can love. It was a place of love for Harry and Blanche, whether that love be merely recorded upon a great round rock that I now have in my own giardino or it be seen in the occasional rose that Harry would harvest for Blanche from the rose bush, or it be simply the love they shared with the visiting Reverend Griffith over a cooling glass of tea, some homemade biscuits, and a bite of Hen Sir. That giardino framed their home the way a picture frames a painting. That home and its yard was the place where they created a family with their two daughters and with their aunt Jemima.

So the view was, for Blanche and Harry, Lee Ann and Elaine, pretty fine from that house on Rutter Avenue. As I see it, it surpassed the Baltic, the Bay of Naples and the Jersey Shore. Their view was more encompassing than just a giardino. It was what so many of us crave beyond anything else in this life, a family and a home, a place where Jemima, just before she died saw an angel. But I have spoken of angels in a previous blog; and I imagine I will again. For now, I shall simply look at my small backyard, which is perhaps two postage stamps in size—but the cost of mailing a letter has gone up over the years—and I shall think of Harry and Blanche’s view. Maybe my own is not that different after all. Yes, I like the view from here.

 

Commonplace Thoughts of a Residual Welshman: Miracles

I have a friend who has a beloved uncle whom I also know quite well—he might as well be my own uncle. Indeed, he allows me to call him by that familiar title. Yet he does not believe in miracles. I would like to say that it isn’t the case that he doesn’t believe they can happen as much as it is simply that he has never seen one. But, in fact, it is the case that he does not believe they can happen at all.

Now I myself am as skeptical as he is about faith healers on television who ask you to send money for a prayer cloth that they have anointed with some kind of healing oil. I am not sure whether this is just an American phenomenon; perhaps some of you who might be reading this in another country are not familiar with this phenomenon—I mean televised miracle workers, not miracles per se. Yet for those of you who may not know, I can tell you this much: at certain times of the evening in the States you might just flip to a certain television channel and find a certain man (for usually it is a male) who will touch some certain person in a crowd and (likely by some prearranged agreement) that person will throw their crutches aside and begin leaping about on the stage (for usually it is a stage) and declare that they have been healed.

Yet I don’t count such a spectacle as a miracle. Rather, it is precisely a spectacle, something that the (possibly well intentioned, possibly not) Rachel as a babytelevangelist has put together (whether to entertain or, more likely, to obtain donations). This is not a miracle. Instead, I count as a miracle a baby.

I write this on the very date, twenty-three years ago to the day, that a friend of mine had to deliver his own child because the doctor had gone out to have a smoke—I say nothing here about doctors ought knowing better—at the very moment that the child was appearing. My friend told me that he had the unique opportunity of receiving nearly half of his daughter’s body before the nurses came charging in to help. The doctor, in the meantime, was enjoying an unsanctioned rendezvous with the Marlboro man. That, to me, is a miracle—not the smoking doctor, but the daughter, choking, gurgling, gasping for her first breath as she entered rapidly into this world.MARLBORO CIGARETTES POSTER ADVERT, MARLBORO MAN, COWBOY SMOKING

To look closely at a newborn baby is a startling act, for it is to behold a miracle. It is amazing to think that the child has grown so rapidly in the mother’s womb. Indeed, it is more amazing to think that it has grown in another person at all. If you are lucky enough to behold it immediately after birth lying upon its mother’s chest, with tiny grasping hands, its look of new life, and the image of its mother’s love, you will witness perhaps an even greater miracle than the child’s birth. G.K. Chesterton once wrote “… we cannot say why an egg can turn into a chicken any more than we can say why a bear could turn into a fairy prince. baby grasping handAs IDEAS, the egg and the chicken are further off from each other than the bear and the prince; for no egg in itself suggests a chicken, whereas some princes do suggest bears.”[1] In short, like that of the egg producing a chick, the idea of a human being, a mother, producing a baby is rather fantastic, at least if we suppose for a moment that we had never known how babies came into being. If we are not amazed by this, it is only because we take it for granted.

Now this is not the only kind of miracle that I believe exists, but I do believe that it is particularly miraculous. My friend has never quite gotten over his catching that child as she came into the world; he still talks about it, especially when he waxes nostalgic over a glass of wine and a bite of Swiss cheese, whose holes themselves, too, might just be particularly miraculous; else why would there be at least two theories about the holes in the cheese?).[2]

But beyond the particularly miraculous, the “that’s-amazing-when-you-think-about-it” type of miracle, there are also miracles that are peculiarly miraculous. It is that type that the charlatan televangelist tries but fails to emulate with his smoke and mirrors on television every week. That type is the kind that people all too often crave, about which someone might say, “now if I saw that kind of (peculiar) miracle, I would believe that miracles can happen.” But of course those miracles, indeed any miracles, particular or peculiar, hardly ever appear to those folks. There are two reasons, I suppose, for that.

Stockton Pres ChurchFirst, miracles are, by definition, miraculous. They don’t happen often or they wouldn’t be so. Second, the people about whom I am speaking can’t see the miracles when they’re right in front of them. They miss the particular miracles because they don’t recognize in the face of a baby a mind-boggling sight, a fantasy come alive. Nor would they see, of course, peculiar miracles, nor accept another’s account of them, such as Elaine Jakes catching the scent of cheese in a church in Stockton, NJ, and beginning to go to that church regularly soon after that.[3] Nor would they accept a story, even from a known source, about someone encountering an angel.[4] They may even believe that love is merely a chemical reaction of the brain and that forgiveness is something unachievable, especially in certain egregious circumstances. They might even say there are no such things as truth or justice. And they certainly don’t believe in Superman, or at least the archetype that he represents in the comics.

Holocaust
Surpassing tragic picture from the Holocaust Memorial in Berlin. Photo by Jorge Láscar

And my dear uncle might say, “Well, for every ‘miracle,’ you produce, I’ll show you ten non-miracles, and worse yet. How do you explain the Holocaust alongside your so-called miracles?” And he would be spot-on right. This is the most vexing question. What he is essentially asking is why children die, why genocide happens, why there is human suffering, why there is such sadness in the world.

I cannot answer these questions. Rather, I can only revert to miracles. I start with the Italian adverb-adjective combination, molto particolare. I learned this expression from a dear friend who studies art. He uses it to describe the finest workmanship. It is a kind of Italian code word for “very beautiful, very well made.” Now, perhaps I am but stating the obvious, but I believe particular (i.e. the Italian particolare) miracles are often overlooked simply because they are the rule.

Lake near Lac Blanc
Mt. Blanc

One takes the beach for granted if one lives by the shore. One takes the Alps for granted if one lives on Mont Blanc. Babies are born every moment, colorful flowers bloom in green fields, peaches are succulent, and a true friend…—well you’ll know that when you find one. I made such a friend a long time ago at Dickinson College; his name is Tim, and he is a lawyer now in

Tim and me in college
Tim and H.R. at Dickinson

Harrisburg. I spoke of him to a dear colleague just yesterday; even after all these years I described him as closer than a brother. Such friendship is a particular miracle, too.

I am not so far off topic as you might imagine. If human suffering somehow mars particular miracles—certainly it does for my dear uncle and I believe for many others with whom I’ve spoken about the possibility of life having meaning—peculiar miracles, if not quite offering an answer, nevertheless somehow offer a response to the problem of human suffering. Such miracles are no less beautiful than the particular, everyday miracles, but they are strange in a different way than a chicken coming from an egg is strange. They are peculiar precisely because they defy natural laws. I take one (click here) or two (click here for another) recent examples from the news. If you look at these clips, you’ll see that they both record children coming back to life when they were dead. Not near death; dead. Now one could say that that kind of thing happens somewhere in the world everyday. But, first of all, it does not. Secondly, it does not happen to you every day. It does not happen to your neighbor or friend every day. And when it does happen to you, there’s a chance then that you’ll recognize that you were party to a peculiar miracle.

If particular (i.e. beautiful) miracles are tarnished by humankind’s inhumanity and the grief engendered by natural disasters, peculiar miracles are not so much a response as perhaps an antidote to the vexing question of human suffering. This would be especially true if peculiar miracles should be construed as messages from another world. If that were to be the case, the adjective peculiar would indeed be a good descriptive term for them. But that is the stuff of another blog, a blog about life—and wine and cheese, of course. And now that I think about it, perhaps the holes in Swiss cheese are a peculiar miracle after all.swiss cheese

[1] Orthodoxy, p. 290.

[2] See http://brightmags.com/why-does-swiss-cheese-have-holes/.

[3] The Curious Autobiography, p. 185.

[4] The Curious Autobiography, p. 206.

 

Commonplace Thoughts of a Residual Welshman: The Spark

I think that every volcanologist should have the word “Volcanologist” on his or her business card. Probably they do, but I’m not sure, for I can imagine that they might have, instead, “Geologist” or “Professor of Geology.” Were I a geologist who happened to specialize in the subfield of volcanic studies, I would certainly have this particular, if heady-sounding and thoroughly technical title, on my card.

Perhaps the most interesting thing about a volcano is not its etymology, which is interesting indeed, and gets more thought-provoking the deeper one pursues it, so much as what powers it. While it is not impossible that it is related to the Latin fulgur (“gleam”), it is more likely a word of Etruscan origin.

The Apollo of Veii, ca. 510–500 B.C.
Apollo of Veii, ca. 510–500 B.C.

There was a Vulca of Veii, a great artist who portrayed the god Apollo with a famous terracotta statue dating to about the end of the sixth century B.C. But, of course, Vulca’s name did not influence the name of the Roman god Vulcan; rather, they are likely both derived from the same Etruscan—or possibly even Minoan root—which, if that line of inquiry should be correct, was connected with a god called Velchanos, who in Etruscan would seem to have become Velchans.[1] But I speak about disputed topics.

Mr. SpockNot disputed is that Mr. Spock in the popular television series Star Trek finds his origins on Vulcan, a planet that has paradoxically suppressed its fire—maybe the way a volcano suppresses its fire for a period of time, controlling it as long as it can until it erupts? I don’t know if that corresponds to Mr. Spock’s planet of origin, but it does not seem to correspond to his fine, if firm, personality, for as played by the great Leonard Nimoy, he never seemed very close to eruption to me. Yet I wax science-fictional.

Also not disputed is the fact that the spark of any volcano comes from within. The fire comes from deep inside, and watching one erupt is a spectacular thing. The apparent fury, nature’s passion, and the magnificence of the fireworks, quite literally, is mind-boggling. I felt this way when I watched Mt. Etna erupt afresh a few years back. And I marveled at this gobbler of philosophers, this creator of fecundity by its ash, this fireball maker—as its likely etymology from the Greek word for “burn” suggests. Yet there is an obvious downside to such an internal spark, so far as I can tell: it can be rather unpredictable, and along with unpredictable, dangerous.

Mt. Etna, Sicily
Mt. Etna, Sicily

So it is with us humans. Nearly every person whom I’ve known and respected has had not simply an internal spark—though of course there is always something of that—but rather an external spark, as well. That external spark, in the folks I’ve thought of as particularly superb, would seem to come from somewhere up in the aether, rather than simply from their surroundings. Permit me to explain what I mean. I’ve generally respected my teachers, over the years, because they found their inspiration in an author, someone whose works have had a particular impact upon the way they think, or even, in some cases, live. Their spark was not simply their own view of the world, but their view of the world as shaped by a voice or voices from the past. And even if such a voice were not always coming to them from very high up in the aether, it seemed at least to have given a good many of those Ivy League dons a way to think other than simply with themselves at the center of all things.

The same can be said for my friends. I’ve noticed that, though I love them all, those who find their spark outside themselves seem quite different from those who are their own spark. The person who finds the source of motivation entirely from within is often rather attentive to him- or herself. He or she might spend a lot of time on himself or herself, making sure his personal needs are addressed, her pride is not hurt, his rights are upheld, her own desires are fulfilled. He or she is like a volcano and every once in a while, precisely like a volcano, she or he might just erupt.

Yet those whose spark is from without, especially those who derive their internal fire from a vastly higher place, tend to put their own needs last. Indeed, they rarely talk about themselves at all. When you speak to them, you nearly need to pry their lid off, in some cases, to find out what they’ve been up to. You might see them in a hospital waiting room, a volunteer center, a military vehicle, or a church pew. I know some of them by name, such as a friend and his brother with oddly rhyming names, and their dear wives, whose names also rhyme. There is another couple, able and patient, who are like this, too; and those whose name is implicitly non-violent. And then there’s an Italian couple from the far north yet of humbly low origin, and those who, because their son adores animals, would never live up to their last name. They work in shops, in office buildings, in schools, in uniform; they volunteer endlessly, and they deflect credit from themselves. They love their neighbors as themselves, and sacrifice for others each day, all day long. They joyfully enjoy their lives well-lived simply because they have quite often, daily in fact, jauntily stifle their own happiness for others. These folks, whom I won’t name here so as not to embarrass them, are those whom I aspire to be like.

Saint Paul abbey church. Dedication fresco by Thomas von Villach ( 1493 ): Detail showing Saint Paul.
Stift Sankt Paul in the Laventtal, Austria. Dedication fresco by Thomas von Villach (1493): Detail showing Saint Paul.

They are not those castigated by a saint named Paul in a letter to a city called Corinth. There flame burns bright because it is fueled by an ethereal fire. To some, perhaps, they might appear to be common folk. But they are not: they are the heroes of our age.

There is a reason, mythologically speaking, that both the Greek Hephaistos and the Roman Vulcan are always described as limping. The god whom these names represent was cast out of Olympus by Zeus/Jupiter because he angered him as the king of the gods was punishing his wife, Hera/Juno, with chains for sending a storm upon Hercules. The mythological result was a limping fire god.

Lame Hephaistos leans on a crutch.
Lame Hephaistos leans on a crutch. From the East Central frieze of the Parthenon.

Now I don’t intend to suggest that Vulcan’s attempt to free his mother was not a helpful act. But I would suggest that the fact that the god winds up limping might perhaps, if only incidentally, provide an apotropaic totem to any who thinks that charting a course based on one’s own spark, and that alone, is the finest way to live. Indeed, Vulcan’s best act, perhaps, was the making of the armor for Achilles, armor that responded to pride and ultimately only promoted more killing.

Foundry Painter. Attic red-figure Kylix, 490–480 BC.
Foundry Painter. Attic red-figure Kylix, 490–480 BC.

For while this world will encourage us to find our own way, it just may turn out that there is no “own way” after all. And that is the point of The Curious Autobiography, the story behind a life journey like that of Elaine Jakes. It may turn out that there is a closer connection between all human beings than we had ever imagined, that in fact there really is a brotherhood and sisterhood among all humankind, and that there is a Father of all, somewhere far away in terms of divine nature, yet perhaps closer than we have ever imagined in terms of divine love. But that is all the stuff of another blog. In the meantime, I leave you, my dear reader, merely with an invitation to enjoy a glass of wine with a bite of Parmesan—I’m missing that now that I’m back from Parma—and, as you do so, to think about where the true spark comes from and, insofar as any of us can, to take up Spock’s invitation to live long and prosper.

[1] Andreas Bendlin, in Der Neue Pauly 1.2 (2002) 296–298, s.v. “Volcanus”; S. Blakely, in R. Bagnall et al. (eds), The Encyclopedia of Ancient History (New York/London, 2012), s.v. “Volcanus.”

 

Commonplace Thoughts of a Residual Welshman: Traveling

piergiacomo
Piergiacomo Petrioli

 

“May you be praised, my Lord, for our sister, Bodily Death, from whom no living human being can escape.”[1] Thus wrote St. Francis of Assisi some time just after 1200 AD. To St. Francis, my good friend Piergiacomo Petrioli assured me just yesterday, everything was good. “That’s the point,” he said as we sat in his living room in Bologna discussing how the Renaissance, which began almost precisely a century after St. Francis wrote this canticle, came about. “The point is that Francis cared about all of creation, saw everything as good because it came from God’s hand. And so,” he added, “even death could be seen as good, as a release from the troubles of this life.”

Giotto's St. Francis before the Sultan
Giotto’s St. Francis before the Sultan

And that, we agreed later in the course of the conversation, was the beginning of the period of Western history in which the focus on repeating over and over in the cold echoing chamber of the high-ceilinged central nave of a Gothic cathedral, “God is Pankrator (Ruler of All)” reverted to the idea that “God is a human being, too.” Piergiacomo added, “The point is that the emphasis of the Renaissance is not that ‘God’s in his heaven and all’s right with the world’—he was quoting Browning, of course—“but that God, as a human being, suffers with us humans, participates in our humanity; that human suffering is thereby redeemed, dignified to the extent that even morte corporale can be nostra sora (i.e., sorella), our sister.” This he said, with my slight adaptation, of course, in a lovely Italian accent. St. Francis himself must have sounded like Piergiacomo, I thought to myself, gentle and warm.

But the title of this blog is not St. Francis’ views on death, but rather “Traveling,” and I come back to that now. For when I am traveling, one of the things I like to do best is to visit my friends on the continent and chat with them about things like the origin of the Renaissance, something I had never before connected with St. Francis. The reason for that is, perhaps, that somewhere in my mind the cautionary words of G.K. Chesterton were still rambling about, for he once wrote of St. Francis, “… it is not true to represent St. Francis as a mere romantic forerunner of the Renaissance and a revival of natural pleasures for their own sake. The whole point of him was that the secret of recovering the natural pleasures lay in regarding them in the light of a supernatural pleasure.”

What I think Chesterton is cautioning against is not the importance of the emphasis beginning with St. Francis on all created things being good that Piergiacomo and I were touting as foundational to the notion of humanity that the Renaissance would advance. In any case, such emphasis certainly owes itself much more to the rediscovery of ancient texts than to St. Francis’ memorable declarations about death or Brother Sun or Sister Moon. Rather, I think that Chesterton is railing against those who want to put St. Francis on a pedestal, or more precisely, those who would distort his views about the interaction of man and God. That same group might emphasize St. Francis’ love for animals as a part of creation to the exclusion of his view on redemption and humankind.

Elsewhere in his biography of that saint, Chesterton offers a vivid description of Francis that I think is likely to be precisely right:

“He was, to the last agonies of asceticism, a Troubadour. He was a lover. He was a lover of God and he was really and truly a lover of men; possibly a much rarer mystical vocation. A lover of men is very nearly the opposite of a philanthropist; indeed the pedantry of the Greek word carries something like a satire on itself. A philanthropist may be said to love anthropoids. But as St. Francis did not love humanity but men, so he did not love Christianity but Christ. Say, if you think so, that he was a lunatic loving an imaginary person; but an imaginary person, not an imaginary idea.”[2]

As usual, Chesterton gives us more to ponder than we may have wanted. His challenge to his reader is to consider St. Francis not in general, but in particular. And this is the challenge that Chesterton and later C.S. Lewis would lay at the feet of every churchgoer, every human being, to consider God in particular and each person in particular. It is much easier to love the idea of humanity than to love your neighbor.

Which brings be back to traveling, for how can I love my neighbor when I’m journeying such a long way from home? Well, if you’ve been reading any of my other blogs so far, I imagine you may know my opinion about the answer to that question. But in case you haven’t, I’ll tell one last story about traveling that might illustrate what I mean.

There once were two couples who went a traveling. One went to a large, impoverished city in Africa and bought bread and carried it with them everywhere they went in case they met any street children there. street children(As it turned out, they gave a great deal of bread away, and much more than food, as well. Indeed, I believe they would have surrendered their bodies to fire, were it necessary, to help those in need.) The other couple went to some other far more luxurious spot—Hawaii, I think it was—on vacation; that second couple gave money to world hunger relief organizations from time to time, especially when there was a crisis in the news. That same couple felt very good about their donations, and from time to time would tastefully mention their own generosity to their friends over dinner. But they could see no reason to encourage the other couple about their trip to Africa, or to help them in their admittedly limited-in-scope “humanitarian” effort. In fact, they gently rebuked them when they were having lunch together before they left. “You know, it’s a vain effort, you going there. It won’t cure all the ills in the world; you might even come back with one—a disease. Better to give money to some relief organization or something—that’s what we do,” they told the first couple in a well-intended, but condescending way.

The first couple was not taken aback. Rather they might even have expected as much, for they had long before come to love Brother Sun, Sister Moon, and even to understand that Bodily Death, too, is the sister of the moon and sun, and our sister, too. They were not going to Africa to rebuke that sister. They were going to find and help their brothers and their sisters. They did not love the idea of humanity, they loved human beings.

Now I myself did not and still do not understand one thing about the first pair, the couple who actually went to Africa, for I do not understand St. Francis’ idea that death could ever be our sister. I am rather angered by death, with Herculean emotions welling up from deep within. When a friend or family member dies, I feel that something fundamentally bad has happened, something gone wrong in the universe. But that is me, not Chesterton, not the first couple, nor probably the second. But I wax mystical.

Pope FrancisYet I was speaking about traveling. St. Francis’ travels are well known. Now another Francis, a new Pontifex Maximus, to use a Latin (and quite ancient Roman) term, is traveling, as well. He has just left Italy, to build a bridge to the needy, the poor in another hemisphere, one with which he is quite familiar. I will leave Bologna for a different America, the one with which I am familiar, only a few days after him. This Francis is not voyaging to Africa, but to Bolivia, Ecuador and Paraguay, countries where life is rife with challenge, where in every valley death casts a long shadow, where there are needy and weeping souls, real people, about whom it seems to have been forgotten by far too many who could care (but don’t) that they are human beings. In his travels the Pope will—indeed, I believe, already has—like St. Francis, bring warmth and love for human beings, not just for “humanity.”

Compianto
Compianto

In the meantime, until I leave, Piergiacomo and I will sit by and by, eating Parmesan and raising a glass to The Curious Autobiography, which he is now reading, and more especially and fittingly a cup running over to both the pope and the saint, whose love for humanity and human beings was and will be, I hope, remembered and, by the time this blog is posted, seen, as well. For our part, we shall consider the importance of the Renaissance again and again, admiring the work of artists, and reading a piece of literature or two—I hear Petrarch beckoning—and, before I leave, perhaps even visiting again Santa Maria della Vita here in Bologna. To the right of the altar of the central nave one can see the masterpiece of Niccolò dell’Arca, his Compianto, a sculpted work that portrays the humanity and pain of human beings in the face of the most horrific death in history, before history could be changed by a single naked act. But the nakedness of that act involves a trip I once took to Estonia, which will be the story of another blog about traveling, a blog I will write perhaps a long time from now.

For more on Renaissance Art, see Artsy’s website and follow your favorite artists. For example, see on Raphael.

[1] Laudato si mi Signore, per sora nostra Morte corporale, da la quale nullu homo uiuente pò skappare, from Michele Faloci Pulignani (ed.). Il Cantico del Sole di San Francesco di Assisi. Foligno: Tipografia di Pieter Sgariglia, 1888, pp. 10–11; http://www.prayerfoundation.org/canticle_of_brother_sun.htm. My translation.

[2] The Collected Works of G.K. Chesterton (Ignatius Press, 1986), 70, 29.

Commonplace Thoughts of a Residual Welshman: The Fairy Wall and Parmesan

There is a wall running along the side of a small swath of land that is the yard of the property once known as the Lizzie Ann, a countryside residence in Bucks County, Pennsylvania, quite near New Hope. That house was once a dormitory of the Holmquist School for Girls. There dwelt a young Pearl S. Buckpearlbuck long before she would become a great writer.* There, years later, dwelt another fine writer, Elaine Jakes, in that selfsame house. Yet neither Elaine Jakes nor Pearl Buck (then Pearl Sydenstricker) knew when they were living in this humble abode that they would be such writers. Pearl was quite young, apparently living there (Elaine always attested) for a short time while her parents were on furlough from their mission in Chinkiang. (That brief stay, Elaine maintained, would compel Pearl eventually to return to Bucks County to buy Green Hills Farm, where she is now buried).

The young Pearl no doubt used her time there to reflect upon the bulk of her childhood, lived as it had been hitherto and would soon be again in China. Elaine, a middle-aged woman, used a pen to reflect in her personal notebooks on her life, there divulging wistful thoughts, fond memories, and not a few regrets. She had, as you may know from The Curious Autobiography, her own Chinese period. But she did not have the kind of family that her parents had enjoyed. Nor had she had the family that her sister did, nor that of Pearl Sydenstricker Buck. Rather, Elaine lived alone; she dwelt with books as her principal companions. Books were voices of the past, a past not her own, but no less important for it, creators of memory that she never had. They were, as they are for any good reader, best friends.

Hotel du Village signFor that reason she was never lonely. Another reason that she was not lonely were the fairies that lived in that wall, the yard’s far wall that separates the Lizzie Ann from the Solebury School’s lower campus, which would later be rechristened the Hotel du Village—a title I always found just a bit off, as there is no village (as pronounced in French or English) in the immediate vicinity of that complex structure. It had been, after all, the women’s campus of the Solebury School, a direct descendant of the Holmquist School for Girls. Today it is an exquisite, even sumptuous, bed and breakfast, still separated from what was the Lizzie Ann by the fairy wall.

stone wallThat wall was not significant for its natural luster, for it had none, unless one were to value its rustic feel and the rusticity of its rusticated concrete patches, for it was a crudely made concrete wall, with smoothed-out swatches of cement alternating quixotically with small patches of jagged stone, sometimes bedecked with moss, other times hidden behind weed-like wildflowers that grew out of cracks in the wall. No, this was by no means a wall of Nehemiah, no rebuild per se, yet it did show evidence of repair. Most significant were its cracks, which gave it some sense of venerable authority, if nothing else, while at the same time providing a place where fairies abode, who only emerged about dusk—and quite gingerly at that.

LucyHJonesTrunkIt is well known that the elfin hob of the Lizzie Ann had some commerce with these fairies, though he was loath to admit as much. He was, the reader will recall, a stowaway in the black trunk that came from the old country, from Wales, specifically from Llanelli (not at all pronounced the way it looks), or rather from a tiny suburb of Llanelli called Llwynhendy (also not pronounced the way it looks). That curious state of affairs and hitherto unseen development in human/Hobian relations has been well documented, both in previous iterations of this blog and in The Curious Autobiography proper. Yet the fairies were never mentioned there, in part because their actual provenance was, and remains, entirely unknown. There is a rumor that they first came from Piccadilly (but that would make them English), which in any case seems a mere onomatopoeia based on the ridiculousness of the word Piccadilly itself.

Clearly the fairies are not domestic. I say this because they normally took coins, with preference given to British pence or Canadian cents, from a coin dish—for Elaine kept such a dish—in the living room of the Lizzie Ann or from the tips of the less generous tippers at the Hotel du Village. These coins they would place, with great caution and entirely surreptitiously, in the zig-zagging wall cracks. Some say these were the doors of the fairies’ houses, but this is mere speculation, and ill-informed at that. Rather, I am certain that this numismatic collocation was an altruistic act, however one may parse it, as the coins were obviously placed there for the children who played in the yard to find. I shall in a future blog enlarge upon who these children were and precisely what their connection to Elaine Jakes was. Suffice it to say they had little money of their own, as they came from a family of modest means. Even the youngest of them, a little girl who once wanted to stay four years old forever, still remembers. The fairies knew about the children’s less than affluent circumstances and thus took—some might say “stole”—these coins for the children’s delight in the finding, mirabile inuentu puerili.

That fairies commit such acts should come as no surprise. Even the entirely undocumented and frankly ridiculous myth of the “tooth fairy” demonstrates that fairies are amply capable of transporting coins great distances. And, as obviously even a mythical creature such as the tooth fairy has no money of her own, she would have to have procured said income by clandestine, dubious means. Normally she would filch it from the parents of the child whose tooth was lost, of course, which is why parents are often believed to be the actual givers of money for teeth.

Gwilym the elfin hob
Gwilym the elfin hob

But I wax mythological. Let me return to the wall fairies of the Lizzie Ann, beings far more valid than the so-called tooth fairy. Those of the wall, while they may have been irritated from time to time by Gwilym the household hob—no doubt, if they were taking money from the change bowl—must have been in cahoots with him for this ultimately altruistic business, as I doubt he would have tolerated their frequent entrance into the Lizzie Ann unless he were in on the project. He did, it is now known, have a soft spot for children. And for cheese. And thus, undoubtedly, the fairies softened up the otherwise occasionally crusty andparmesan not infrequently sarcastic Gwilym with rather hard Parmesan cheese, the block version of which was his favorite non-Welsh cheese; he was otherwise always de gustibus loyal to the domestic Gymreig Hên Sîr—non disputandum.

His Parmesan leanings, however, were in evidence from the fact that he would regularly purloin that Italian cheese when it was left out, which it was from time to time, on the cheeseplate, whose covering bore the features of a face that had for generations frightened all the small children in the family. When that cover was in place, Gwilym had no chance to get to the cheese—no chance unless the fairies (obviously working as a team) would en masse lift the cheeseplate’s ponderous and stunning lid, while other fairies pulled out a giant glob of Parma’s best contribution to the world. Indeed, I’ve rarely had a better moment than eating Parmagiano in Parma, the city in which I was enjoying the cheese at Tiffany di Gianpaolo Conciatori just two weeks ago, so I understand Gwilym’s penchant, or rather his weakness, too well. At this point, I must publicly admit that I believe there may also be a dairy fairy, as Paestum’s mozzarella di bufala is a strong competitor to Parma’s Parmagiano. (If ever you are in Paestum, be sure to eat some at Nino and Sandro’s Ristorante del Hotel Poseidonia Mare, near the beach; for pizza in Paestum, try the world’s best da Pasquale at the Taverna del Parco on the aptly named Via Nettuno, no. 45).

Pasquale, owner of Taverna del Parco and best pizza chef in Italy
Pasquale, owner of Taverna del Parco and best pizza chef in Italy
View from Ristorante Taverna del Parco
View from Ristorante Taverna del Parco

But I laud the fairies, not simply for their industry but their desire to provide poor children with coins, which no doubt they in turn merely used to buy candy or some other ephemeral treat. Yet there is the important point. The fairies found purpose in giving, both giving Gwilym delight and, more importantly, the same to the children. They held a common goal of serving and working as a team, working together for a greater end. And there just might be something for us people, to learn from these fairies, whatever their provenance.

So raise a glass to those flitting sprites the next time you partake of wine and cheese, or walk beside a garden wall, or think of China or Pearl S. Buck, or think that you may have encountered an elfin hob, or can’t find the right change, or any change, in your change bowl, or, at the very least, when you brush your teeth. And forever keep in your heart the lesson of the fairies, whether they come from Llanelli, Llwynhendy, or Picadilly. Such a silly sounding word.

*I have no proof Pearl S. Buck lived in the Lizzie Ann; nevertheless, this is something Elaine consistently maintained.

Commonplace Thoughts of a Residual Welshman: Workshops and Sanctuaries

“Buona sera, good evening,” he said what seemed to me a trace of a Swedish accent, “My name is Helge. It’s a manly name, a Viking name.” In fact, it is a holy name, related as it is to the German heilige, as in Heilige Geist (“Holy Ghost”). Thus, while the Vikings no doubt used this word as a perfectly “manly” name, it has connotatiVilla of San Micheleons, as does many a name, well beyond even the immediate context of a Viking village, let alone the cocktail reception for a musical recital at the Villa San Michele on Capri, where I first met Helge Antoni.
There he was with his lovely wife, Marisa, and the three of us along with a number of other interlocutors who dropped in and out of our conversation chatted in multiple languages—German, English, French, mostly Italian—about music, art, literature and the intoxication that Anacapri provided through its breathtaking vistas and villas, soul-charming alleys and ambulatories witape-on-the-roadh various twists and turns. Indeed, virtually no one drives in Anacapri, unless one has a very small vehicle such as a scooter or a “bee” (in Italian, ape, entirely unrelated, of course, to its false English cognate “ape”).

As I walked home from that evening’s lovely concert it dawned on me that I had met a world-class and quite famous musician, and in Marisa, his athletic wife, quite a fine Pilates expert. Little did I know, however, that I would enjoy much more than a mere conversation, that our friendship would blossom, that Helge would become like a brother to me. That such a circumstance could possibly arise was soon enough apparent to me from his and Marisa’s warm invitation to join them for drinks the following evening at the nearby mountain villa where they were staying.

And so it came to pass, in our evolving friendship, Helge, en route to a concert a year later, would come to visit me in the States, on which occasion I was reminded afresh of something I already knew but had, I suppose, forgotten or had at least not brought to the front of my mind for quite some time. Yet I had known it well, as I had so many other important things, already when I was a child.

That thing that I had known was the idea of a sanctuary. I am thinking in this case of the small workshop of my grandfather, Harry Jakes. It was anything but fancy, more or less just a workbench in the basement of my grandparents’ home on Rutter Avenue in Kingston, Pennsylvania. My mother, Elaine Jakes, lived with her parents for three years or so after her divorce and during those years my grandparents in many ways played the role of Wilkes Uparents for me while my mother finished her college education at Wilkes College (now Wilkes University). There Elaine, having enrolled for a second time after a scandalous dismissal which you may already know from The Curious Autobiography, studied English literature and history and was a makeup artist for the Cue ‘n’ Curtain theater troupe. Had she not had a young child, she might have been an actor in that troupe, but that, I think, is the stuff of another blog.

Photo by Brian Smithson.
Photo by Brian Smithson.

To return to my grandfather’s workshop: it was a magical place, truly glorious, where the sound of his old electric drill provided Scipionic music of the spheres. There it was a privilege to enter and to spend time simply listening to and watching the master craftsman at work. Of course, he was not a real “master.” He was merely a man then nigh unto his retirement years who was handy around the house. If it were broken, chances are Harry could have fixed it. If something needed a slight adjustment, he would use his creative powers to adjust it. If a unique dohicky had to be designed for a specific purpose, Harry would invent it. He was one of those rare people who could look at something broken and envision it in a fully repaired state—a mystical healer of humdrum objects. Owing to that particular trait, I, my cousins, and anyone who might enter that house on Rutter Avenue, which had once been the house of the family’s childless matriarch Aunt Jemima, all marveled at him.

Harry found in his workshop, it seemed to me, a kind of sanctuary, for it provided him with a respite from, almost a kind of therapy for, the worries of this world for him to work with his hands repairing things. Perhaps it was the metaphor of healing, after all, that offered him a powerful solace. But I also think that there was something about the attitude that was required to enter the place, that workshop that provided sanctuary a word that implies both that the place is a safe place and holy. The word itself, though it means “holy” comes to mean a place of refuge, a place of asylum, just as Helge means holy but becomes, to use Helge’s words, “a manly name, a Viking name.”

As I grew up and especially after my grandfather’s death I had to find other workshops, other sanctuaries. One of these I had stumbled upon before his passing, for as a teenager in New Hope I would often frequent the office of a local writer, John Pfeiffer, who wrote anthropological treatises for the popular market. He did a good deal of research for each of his books, and allowed me to visit him to pick his brain about writing and about the possibility of having a career as a writer.

Photo by Wally Gobetz.
Logan Inn. Photo by Wally Gobetz.

Carl Lutz’ workshop was the kitchen of the Logan Inn, the original inn of New Hope (the borough once called Wells Ferry) which, in the early eighteenth century, the town’s founder John Wells owned and operated even before New Hope was called Coryell’s Ferry, which it was after it was called Wells Ferry; all this is the stuff of another, in fact a previous blog. For Carl, who would later become the mayor of New Hope, the busy kitchen of the Logan Inn provided him with a kind of refuge from the business of running the Inn and, eventually, the whole town.

I should mention two other places that served as (and three other mentors who ensured) workshops and sanctuaries for me. One of these was Professor Phil Lockhart of Dickinson College, another Tom Corey, pastor of one of Philadelphia’s truly urban churches; the third, Mrs. Zinaida Sprowles, self-described peripatetic pedagogue, who bore workshop and sanctuary within, demonstrating that such a place need neither longitude nor latitude. Each of these provided refuge away from the stresses of life, and with them one did not merely learn what it meant to be an apprentice in an art, such as writing or cooking, but in life. With them I found myself often puzzling about bigger questions regarding meaning and significance, about what words meant, not merely how to craft them. Each of them showed how to read and, based on what was read, offered insights about what to write. In their sanctuaries where I pondered how to function as a human being, how to walk, indeed to see, in this dark world and wide, and how not to allow that one talent, which is death hide, to stay lodged, useless. But I wax poetic. Suffice it to say that in those sanctuaries I pondered the questions that would give me pause, that would compel me to understand that to be a proper human being requires participating in humanity’s pain and, eventually, would place a pen in my hand for that very purpose.

Helge Antoni, pianist
Helge Antoni, pianist

“Have them sit down,” Helge said, as he bestrode the piano in the college chapel, spacious enough for the master class that he offered to the assortment of musically trained college students assembled there. I watched and listened as they played in this makeshift workshop, a sanctuary in more than one sense, for Helge had lived up to his name, creating a sanctuary, whose walls were forged from notes and whose roof was made of wafting chords, supported by occasional applause and masterful instructions to a true master’s students in a master class. There I experienced sanctuary again, in a workshop that was no workshop, for it normally was a place of faith—not works, lest anyone should boast. And I realized again, as I sat there watching the love he had for those students and their warm responses to his gentle admonitions and corrections, that here learning could happen afresh, in a sanctuary. I remembered the teachers of my sanctuaries, from Harry to John to Carl to Zinaida to Phil to Tom, and back again to Capri, where I had met Helge.

“Heavenly,” the appropriately named master thundered after one of the students had played her piece, “just heavenly …” adding, after a decorous pause, “Wasn’t that glorious?”

“Indeed,” I thought, “it was.” But I was thinking of something much larger than the fine piece that the student had played. I was thinking of sanctuary and the sound of an old electric drill when I replied, “Truly, Helge, it was.”

Commonplace Thoughts of a Residual Welshman: A Space for Hope

Hope is the word most often searched on Google by those feeling desperate. One wants very badly to find a space or at least a place, virtual or otherwise, where hope may not glibly “spring eternal” but rather may be as it were a part of a landscape, mortar holding the brick of a garden wall that one feels a sense of security there. That is the place where someone will say and actually mean, “It’s okay. You’re safe now. You still have a future. There is—this is—a place of hope.” To get to that place, to appreciate it, most often one must go through some frightening and sobering moments, to have faced some tough times, times in which hope was nearly in full eclipse. I know the darkness of such an eclipse well, for my grandfather, Harry Reed Jakes, passed away when I had just finished my sophomore year in college. For a season I lost hope.

Salon of 1874, Painting. - The Trojan Horse, by Motte, vintage engraved illustration. Magasin Pittoresque 1875.
Salon of 1874, Painting. – The Trojan Horse, by Motte, vintage engraved illustration. Magasin Pittoresque 1875.

Thus do I recall: I was reading Homer’s Odyssey not as a class assignment, for the school year had then ended. Rather, it was book envy, plain and simple, as I had not had it on the syllabus of my section of Western World Literature. For whatever reason, Professor Culp had not put the Odyssey on her syllabus, choosing instead the Iliad—an interesting introduction to college,for that thoroughly violent epic was the first thing I read at Dickinson, that gentle autumn season not so many

Vietnam helicopter

years removed from the last troops coming home from Vietnam.

Truth be told, it may have been the first entire book I had read for a class in quite a long time, as in high school, at least until I had taken Mrs. Sprowles senior English class, I was the master of partial preparation, pioneering then what seems to have become an art form among many precollegiate and even college students today. Yet I did know when I walked through that gate of Dickinson College that I was passing through what I would later, thanks to another text in that same class of Professor Culp, recognize as a Dantean-style gate, perhaps still adorning the Benjamin Rush campus today, with cast iron letters mounted upon an uninviting arch that read Lasciate ogne speranza (di pratica cattiva del liceo), voi ch’ intrate, which in English means “Behave yourself and study!”

Photo by Doug Kerr
Photo by Doug Kerr

And so it came to pass that well before we entered the hyperborean swath of that academic year, I encountered warriors battling along the banks of the Simois, Sarpedon’s fate hanging in the balance, brave Andromache handing baby Astyanax to her husband, Hector, as they forebodingly bade farewell, until a kingly father would beg a proud warrior for the body of his fallen son for another type of goodbye scene. That son, the selfsame Hector, would in a ghostlike apparition soon charge his comrade Aeneas to save the Trojan remnant and sail for Hesperia—yet that in what I then thought a lesser text in that selfsame class.

While I enjoyed many of these stories, the other classes, I jealously grumbled, had one better, for they were reading the Odyssey, and of this aspect of their syllabus I was more than just a bit jealous. Besides, I was learning Greek with the legendary Professor Lockhart, a professor who taught much more than merely Greek; he taught life, and expounded upon why books such as the Odyssey are important. “They’re not simply the classics,” he said, “they are the air we breathe, the water we drink; they are food for our souls.” It took me a few years to grasp this statement in any full sense, and I suppose I am still doing so.

HarryandHR
Harry Jakes with his grandson

And so it was owing to “epic envy” alone and to no other reason—for I did not yet know what an important tale the Odyssey would tell me, never having read it—that I took that book along when I went to visit my grandfather, Harry Jakes, in the hospital for what would be the last time. It was two score less four years ago this month; he died on Father’s Day. This was particularly poignant to me, for he had played an important role in my life, as I had never known my father. He was a good father to Elaine Jakes, perhaps even a better father figure to me. Thus, when Harry died I felt without hope, lost, and had there been Google then, I’m sure I would have tried to Google “hope.”

But I would not have found it, not alone at any rate, for I have learned that hope is only one strand of three, like three fates or three graces, as the Greeks and Romans believed that such ideas (and deities) came in threes. For example, there were three aspects of Diana: the goddess associated with the hunt, with childbirth, and the moon. The Graces (Charites) came in three, too: Aglaia, “radiance,” Euphrosyne, “joy,” and Thalia, “bounteous bloom.” But as joyously, radiantly, blooming bounteous as these are, together they do not form the kind of cord of which I suggest hope is but a slender, yet nonetheless strong part. The second part of that cord, the largest and most vigorous part, is Love.

Now Love is something that nearly everyone can agree about or at least say something positive about. Even in these staunchly secular times, rarely will one meet a person who says, “Love’s just an emotion,” or “You know, it’s strictly a chemical reaction of the brain,” or “What is love, anyway?” or even rarer, “Love is always self-interested, when you get right down to it.” Now I admit I have met such people, usually a dour bunch, with pursed lips and supercilious eyebrows that move up and down seemingly independently. In contrast to that small minority, I think that most folks would agree that “Love is vital” or “human” or maybe, if they like music, they would go so far as to say (or sing) “Love is all you need,” with an upbeat and in-tune pitch of voice, rendering the listener an optimistic alternative to the prune-mouthed, odd-browed realists. Even the less than musical might at least say prosaically, “Well, love’s really important.”

But that’s not what the Odyssey is about, of course, not quite. Or if it is about “love,” it’s a different kind of love. Perhaps it’s the kind that is spelled with a funny combination of letters, three vowels, three m’s, one c and two t’s. Unlike “love,” that word is not very popular, and has often delayed an engagement or two for well more than a year—though it held Penelope and Odysseus together for twenty. Yes, those of you good at word puzzles have already deduced that this kind of love is commitment, admittedly to some a word that is pedestrian, even flat-sounding, but certainly really a bit more “real” than the kind that the “we’re-all-just-a-bunch-of-chemicals” crowd objects to.

But to get back to the Odyssey: it points us homeward. It’s the story, as you likely know, of a war hero finding his way home and cleaning up the problems that accrued while he was away. It’s a text that has a timeless message, even if it is one that is cast against the backdrop of mostly outdated ideas of revenge (though even those values are, sadly, often still found in action movies). Odysseus must come home; such a journey in Greek called a “nostos.” I could not see it then, but my grandfather strongly believed that he was about to make his nostos, not to a home or a house where one can find a hope for life, but to another Home where one finds such hope realized. The commitment that he had shown throughout his life that was reflected, in part, in his love for me and my cousins, Eric and Mark—that was the second strand of the cord, the cord that, if all three strands remain, seems unbreakable to the casual observer, which I confess I was then.

cordBut what about the third strand? Well, as that’s a matter of faith, I prefer to leave it aside for now. Perhaps I’ll come back to it in a future blog. For the time being, suffice it to say that two of the three strands are Love and Hope, and hope only can make sense if one believes that there is such a thing as unfailing love, a.k.a. commitment. Yet who am I to say all this? Well, I’m just a “might-not-have-been,” as I said in my first blog, one who happens to be a writer, who normally writes about elfin hobs or ghosts. And I, dear reader, next week, will tell you another story more along the lines of a hob or a ghost, or perhaps something entirely different but no less entertaining than a lesson in Greek literature, like this one, that involves and expounds on an archaic term such as “nostos.” Yet perhaps the Odyssey’s nostos is an adventure worth having, whether you discover it in a book or, better yet, in your life.

 

Commonplace Thoughts of a Residual Welshman: Angels and Headstones

As the title of this blog implies, angels turn up in surprising places. One might not expect to come upon an angel in a store that sells grave markers; that frankly is the last thing one might expect. Truth be told, one rather infrequently enters a grave marker store, normally known as “So-and-so’s Memorials.” Usually such a store’s modestly sized parking lot is far from teaming with customers and, if one does venture within, rarely, if ever, does one learn that that store is out of a certain type of headstone, or that they have a particular marker on “backorder.” And, of course, it would be gauche to suggest putting anything on layaway, as that would be driving the nail a bit too close to the thumb, so to say.

Indeed, the very word memorial is itself already driving that nail rather close, for the term is either a benign euphemism or an apt appellation. I prefer the latter, as I believe in memory, not that it may merely serve to be an ephemeral record of a life well (or otherwise) lived but also as a mental imprint that serves to preserve a record of meaning. It is a mirror image of the hope that can inform one’s future.

Kingston welcome signBut to return to angels and gravestones. I entered that gravestone store, located on Wyoming Avenue in Kingston, Pennsylvania in the spring of 2012 with my uncle Ed Johnson, a retired professor of the school once called Wilkes College, to buy Elaine Jakes’ memorial marker. That place of business is one that I have fortunately had few opportunities to visit; but that cold March day, with its crisp, biting wind, Ed and I were on just such a gloomy errand. Though Elaine had passed away a few months earlier, it was now time to put her ashes in the ground at Fern Knoll Burial Park. We needed, and indeed wanted, a simple memorial, something to put over the place where Elaine’s ashes would rest. I had no idea that I would that day encounter an angel.

Gingerbreak manNow I had only once before encountered someone I thought could be an angel. I was 21 years old and was involved in a very strange fisticuffs. My close friend Tim Hoy and I, then a college senior, were walking home from a fine dining establishment and even better bar known as the Gingerbread Man in Carlisle, Pennsylvania . We had spent a few hours in that bar chatting, Tim drinking beer, I Perrier because at the time I had mononucleosis, a disease during which one is told to refrain entirely from alcoholic beverages. Besides, Perrier was cheaper and quite refreshing, particularly with a twist of lime. I felt, frankly, somewhat sophisticated. We spent a few hours chatting about C. S. Lewis, the Baltimore Orioles (baltimore oriole capTim’s favorite team and, coincidentally, my favorite bird) and, by metonymic association, Cookie, the myna bird that taught me how to talk in a manner comparable to the way that a bear taught Elaine Jakes how to drive.

When it was time to walk home we took a less than circuitous course back to our admittedly shabby apartment, en route to which we encountered some ruffians—eight that I could count—who proceeded to engage us in a fisticuffs. Needless to say, they outmanned us. Tim’s jaw was broken on nearly the first punch. I fortunately did not rupture my then delicate spleen, to protect which I kept my arms over my belly, allowing my face to be knocked about at will, no doubt to the delight of the assailants.

Nonetheless, I don’t think either one of us were frightened—perhaps we hadn’t had time to be frightened, as it all happened so fast—until I heard and then saw one of the hooligans open his switchbladeswitchblade.  For a moment, I thought all was lost. It was not. Just as he was approaching me, pinned as I was against the side of a car, a large man came from nowhere. He seemed, at the time, of superhuman size. Indeed, I doubt I have in the flesh ever seen anyone so large unless seeing an (American) football player, a lineman, at a distance during a football game were to count. But even such girth I am not certain would surpass that man’s—if he was a man. I had a feeling at the time that both the size and the rapidity of his appearance and then sudden disappearance could qualify him for angelic status. Admittedly, he did not sing; nor did he have a harp or a halo or wings. Yet even if he was not a capital ‘A’ angel, he was at the very least a lowercase ‘a’ angel. He came to announce to that entire group of ruffians that it was over and they should go home. And that they did, immediately, without asking questions or even tagging Tim or me with one last upper cut or left hook. They scattered. We were safe, and we stumbled home. And maybe that night, just maybe, we encountered a real live angel.

Harry and Blanche Jakes
Harry and Blanche Jakes

But that apparition was vastly different from the angel that Ed and I encountered in the memorial store on Wyoming Avenue in Kingston, for there we came upon a small, elderly woman who asked about Elaine Jakes. Was this Harry and Blanche’s daughter, she asked? Blythe Evans’ cousin? “Yes,” we said. Oh, she said, I knew Elaine—a bit of a free spirit, that Lainey. What a wonderful lady and what a fine family she came from. Blythe—well, everyone was proud of him, the district attorney. And, her sister—“My wife, Lee Ann,” Ed piped in—well, she was a marvelous person, raised two fine boys, didn’t she? “Yes,” Ed, added, “my sons, Mark and Eric.” Fine lads, the woman said; one became a doctor, the other, was it a professor? “Yes,” Ed and I concurred, adding a few details to round out the family portrait.

But Harry was special, she said. He was a wonderful human being. He bought his mother and his father’s memorials here, you know, and Jemima Jones’ and Lizzie Ann Evans’. Then afterwards he used to come by from time to time just to say hello, just to be friendly and keep us here in the store up with what was going on at his church, with the family and in his neighborhood. A good man, that Harry Jakes, she said. In parting, she gave Ed and me each a small gift; a small metallic medallion of an angel.

Angel medallion
Angel Medallion

Take these, she said, and be blessed. It’s an angel, she said, a small gift to remind you that there are real angels. Ed smiled and took it, as did I, expressing our thanks.

To write this blog, I used Google Earth to try to find that memorial store. I thought it must still be there—after all, it was just three years ago that I was visiting and I bought the headstone. But though I thrice virtually traversed of Wyoming Avenue and looked up and down for it, I could not find it. I could not find even the place where I recall that it was located. It would seem to have come and gone nearly as quickly as that angel, if he was an angel, who delivered Tim and me from the valley of the shadow of death in Carlisle all those years ago. No, I’m sure that that store is there and that I just missed it. And perhaps that woman was not a real angel. But I don’t doubt that she gave us an angelic blessing, and that that blessing is one that points to the angels we encounter in this life, whether they be humans or something or someone, somewhat otherworldly, in human form.

Commonplace Thoughts of a Residual Welshman: The Ghost of Sulmona

Madison I
Madison K. BEA booth

“Well, this is quite a booth,” I said when strolling the floor of the vast Book Expo of America Exhibit 2015 in May. “The colors are vivid and jump right out at you—pink and black. And the artwork is well done, so deftly thematized to your book.” All this I said when I first met Madison Kaplan, the namesake and, qua character, heroine of the book series that her talented mother, Nina, writes and illustrates. “She does all her own artwork,” Madison volunteered proudly. It was refreshing and frankly a bit surprising to see a young woman of twenty-three so proud of a parent.

I soon met Nina herself, the warm and friendly author of the popular Young Adult fictional work entitled Madison K. As Nina described it to me, the series tries to speak in a new and fresh way to girls becoming young women, encouraging them to think twice before making just any moral choice, before believing just any trendy way of thinking. I confess that I have not read much of this series whose target audience is obviously a demographic quite a bit different from myself. Kaplan complements her book series with a rich and various website (BLC; www.beautylandcouture.com) that speaks to young women about their appearance, focusing on something I am fairly unfamiliar with, makeup; but I shall return to that below. For the moment, suffice it to say that after my admittedly cursory perusal of one of the books in the series, I am honestly impressed. This series is doing something different than most YA fiction, and I am inclined to start my blog by warmly acknowledging that uniqueness; after all, Elaine Jakes taught me to embrace things that are perhaps a bit different and to be a bit wary of those ideas that are not.

Adriatic Coast
Adriatic Coast

Yet as the title of this blog implies, this is a ghost story that ostensibly is about a haunting of Sulmona, an Italian town, a small one, located on the edge of the Majella National Park near the Adriatic shore, forming a triangle with two nearby coastal cities, Pescara and Lanciana. It is far enough from them and from Rome that there is no chance that the ghost of Sulmona could wander in either direction. It stays confined to the arboreal park and only occasionally wanders into Sulmona’s center, always at night. And when it does, it makes a beeline for the main square where there is displayed prominently a fine statue of the town’s most famous poet, the long-dead Ovidius Naso, whose very shade, it is said, is this ghost.

Piazza in Sulmona Italy
Piazza in Sulmona with Bronze Statue of Ovid. Photo by Boblyp.

That ghost is as playful as Ovid was a poet. Ovid, you may know, was so playful, so bawdy, that he was banished by the emperor Augustus; to give a historical context, this is the very emperor who was reigning when Christ was born. So, Ovid and Christ were contemporaries, Christ the younger, as Ovid was born in 43 BC. Yet why Ovid’s shade, if it is Ovid’s, haunts Sulmona is a mystery. There is a rumor that it has to do with women.

Now it is not what you might be thinking; yes, if you recall your history, Ovid was known as a bit of a dandy not only because of his poetry but also owing to the unsubstantiated claim that he was spending far too much time of a romantic nature with Julia, the emperor’s daughter. While it may not be (and need not be true) that Ovid was carrying on with Julia, it is certainly true he had the gumption to write at least to two tomes of poetry explicitly for women and that he wrote much more than that about women. The facts are these: the third book of his Art of Love (Ars Amatoria) was addressed to women, to help them create rendezvous with men; his Love’s Remedies (Remedia Amoris) was for both women and men, so it does not count. He also wrote the Heroides, letters in the first person penned by famous heroines to their often less famous lovers—and Ovid donned the female voice to accomplish this; I say nothing, in passing, about my role in the composition of The Curious Autobiography.

Yet clearly Ovid’s boldest venture, his “I’m-treading-on-territory-that-should-perhaps-better-fall-to-the-too-little-known-Roman-poetess-Sulpicia” work that could have been perceived as sexist, was the less than catchily entitled Medicamina Faciei Feminae (On Makeup). This work never was among those great books, those Harvard classics that most people talk about when quipping dilettantishly about antiquity. This lesser known work is a book about makeup, much like Nina Kaplan’s lovely website.

The difference, however, between that website which appeals to young women who are just now learning to apply makeup correctly and to make good choices about that (and about life) and Ovid’s work is simply this: Nina Kaplan is a woman and thus can speak from experience. She knows her makeup and she knows what it feels like to be a young woman figuring out womanhood and this particular aspect of it—though admittedly makeup is not for everyone, of course. Elaine Jakes, for one, rarely wore it. Ovid’s transgression into the world of makeup was, from a netherworldly perspective, a much greater offense than the poet’s possible dating of Augustus’ daughter, or his recherché and erotic elegies, the content of which ostensibly bothered the emperor. So, while Augustus exiled Ovid to Tomis in his lifetime, it is said that in his after-lifetime, the shades of Roman women, like those who hounded Orpheus to death, called down an irrational curse on Ovid’s soul, a curse that compelled his shade to have no rest and ever to wander the (admittedly lovely) Majella forest, whence he cannot return to Rome but at least finds himself on Italian soil.

Parrozzo Cake
Parrozzo Cake

When he does come into town, pieces of Parrozzo (a soft cake characterized by a rich chocolate coating and almonds) left out for the ghost at the foot of Ovid’s statue in the town’s square by caring contemporary Italian women always is taken up, it seems, by the ghost, but never quite eaten. Rather, it finds itself strewn out in a line going back into the woods like a Sondheimian trail of breadcrumbs, as, of course, a ghost can’t really eat or drink, as it is made of spiritual matter.

I did not tell Nina Kaplan this story, as I did not want to frighten her or anyone at the Madison K. booth. In any case, I felt it did not befit so busy or august an event as the BEA. But I did warn her that Madison K. just might show up in a blog about a ghost. Is there a moral to this story in a blog that purports to affirm that life is worth living and books are worth reading? Well, of course there is, for the continuum, if an imperfect one, between Ovid, Madison K., and “BLC” remains unbroken, in a sense, and the warning to a man with too little knowledge of makeup, such as myself, not to interfere stands, lest he wind up in the doghouse or, in the case of Ovid’s ghost, experience something worse. And, more importantly than all of this, of course, is the notion that the past is ever with us, a repository of stories, within the context of which we are writing our own, which form a strand in yet a grander narrative, the Author of which will, perhaps, eventually be the topic of another blog.