Tag Archives: Parma

Commonplace Thoughts of a Residual Welshman: The Spark

I think that every volcanologist should have the word “Volcanologist” on his or her business card. Probably they do, but I’m not sure, for I can imagine that they might have, instead, “Geologist” or “Professor of Geology.” Were I a geologist who happened to specialize in the subfield of volcanic studies, I would certainly have this particular, if heady-sounding and thoroughly technical title, on my card.

Perhaps the most interesting thing about a volcano is not its etymology, which is interesting indeed, and gets more thought-provoking the deeper one pursues it, so much as what powers it. While it is not impossible that it is related to the Latin fulgur (“gleam”), it is more likely a word of Etruscan origin.

The Apollo of Veii, ca. 510–500 B.C.
Apollo of Veii, ca. 510–500 B.C.

There was a Vulca of Veii, a great artist who portrayed the god Apollo with a famous terracotta statue dating to about the end of the sixth century B.C. But, of course, Vulca’s name did not influence the name of the Roman god Vulcan; rather, they are likely both derived from the same Etruscan—or possibly even Minoan root—which, if that line of inquiry should be correct, was connected with a god called Velchanos, who in Etruscan would seem to have become Velchans.[1] But I speak about disputed topics.

Mr. SpockNot disputed is that Mr. Spock in the popular television series Star Trek finds his origins on Vulcan, a planet that has paradoxically suppressed its fire—maybe the way a volcano suppresses its fire for a period of time, controlling it as long as it can until it erupts? I don’t know if that corresponds to Mr. Spock’s planet of origin, but it does not seem to correspond to his fine, if firm, personality, for as played by the great Leonard Nimoy, he never seemed very close to eruption to me. Yet I wax science-fictional.

Also not disputed is the fact that the spark of any volcano comes from within. The fire comes from deep inside, and watching one erupt is a spectacular thing. The apparent fury, nature’s passion, and the magnificence of the fireworks, quite literally, is mind-boggling. I felt this way when I watched Mt. Etna erupt afresh a few years back. And I marveled at this gobbler of philosophers, this creator of fecundity by its ash, this fireball maker—as its likely etymology from the Greek word for “burn” suggests. Yet there is an obvious downside to such an internal spark, so far as I can tell: it can be rather unpredictable, and along with unpredictable, dangerous.

Mt. Etna, Sicily
Mt. Etna, Sicily

So it is with us humans. Nearly every person whom I’ve known and respected has had not simply an internal spark—though of course there is always something of that—but rather an external spark, as well. That external spark, in the folks I’ve thought of as particularly superb, would seem to come from somewhere up in the aether, rather than simply from their surroundings. Permit me to explain what I mean. I’ve generally respected my teachers, over the years, because they found their inspiration in an author, someone whose works have had a particular impact upon the way they think, or even, in some cases, live. Their spark was not simply their own view of the world, but their view of the world as shaped by a voice or voices from the past. And even if such a voice were not always coming to them from very high up in the aether, it seemed at least to have given a good many of those Ivy League dons a way to think other than simply with themselves at the center of all things.

The same can be said for my friends. I’ve noticed that, though I love them all, those who find their spark outside themselves seem quite different from those who are their own spark. The person who finds the source of motivation entirely from within is often rather attentive to him- or herself. He or she might spend a lot of time on himself or herself, making sure his personal needs are addressed, her pride is not hurt, his rights are upheld, her own desires are fulfilled. He or she is like a volcano and every once in a while, precisely like a volcano, she or he might just erupt.

Yet those whose spark is from without, especially those who derive their internal fire from a vastly higher place, tend to put their own needs last. Indeed, they rarely talk about themselves at all. When you speak to them, you nearly need to pry their lid off, in some cases, to find out what they’ve been up to. You might see them in a hospital waiting room, a volunteer center, a military vehicle, or a church pew. I know some of them by name, such as a friend and his brother with oddly rhyming names, and their dear wives, whose names also rhyme. There is another couple, able and patient, who are like this, too; and those whose name is implicitly non-violent. And then there’s an Italian couple from the far north yet of humbly low origin, and those who, because their son adores animals, would never live up to their last name. They work in shops, in office buildings, in schools, in uniform; they volunteer endlessly, and they deflect credit from themselves. They love their neighbors as themselves, and sacrifice for others each day, all day long. They joyfully enjoy their lives well-lived simply because they have quite often, daily in fact, jauntily stifle their own happiness for others. These folks, whom I won’t name here so as not to embarrass them, are those whom I aspire to be like.

Saint Paul abbey church. Dedication fresco by Thomas von Villach ( 1493 ): Detail showing Saint Paul.
Stift Sankt Paul in the Laventtal, Austria. Dedication fresco by Thomas von Villach (1493): Detail showing Saint Paul.

They are not those castigated by a saint named Paul in a letter to a city called Corinth. There flame burns bright because it is fueled by an ethereal fire. To some, perhaps, they might appear to be common folk. But they are not: they are the heroes of our age.

There is a reason, mythologically speaking, that both the Greek Hephaistos and the Roman Vulcan are always described as limping. The god whom these names represent was cast out of Olympus by Zeus/Jupiter because he angered him as the king of the gods was punishing his wife, Hera/Juno, with chains for sending a storm upon Hercules. The mythological result was a limping fire god.

Lame Hephaistos leans on a crutch.
Lame Hephaistos leans on a crutch. From the East Central frieze of the Parthenon.

Now I don’t intend to suggest that Vulcan’s attempt to free his mother was not a helpful act. But I would suggest that the fact that the god winds up limping might perhaps, if only incidentally, provide an apotropaic totem to any who thinks that charting a course based on one’s own spark, and that alone, is the finest way to live. Indeed, Vulcan’s best act, perhaps, was the making of the armor for Achilles, armor that responded to pride and ultimately only promoted more killing.

Foundry Painter. Attic red-figure Kylix, 490–480 BC.
Foundry Painter. Attic red-figure Kylix, 490–480 BC.

For while this world will encourage us to find our own way, it just may turn out that there is no “own way” after all. And that is the point of The Curious Autobiography, the story behind a life journey like that of Elaine Jakes. It may turn out that there is a closer connection between all human beings than we had ever imagined, that in fact there really is a brotherhood and sisterhood among all humankind, and that there is a Father of all, somewhere far away in terms of divine nature, yet perhaps closer than we have ever imagined in terms of divine love. But that is all the stuff of another blog. In the meantime, I leave you, my dear reader, merely with an invitation to enjoy a glass of wine with a bite of Parmesan—I’m missing that now that I’m back from Parma—and, as you do so, to think about where the true spark comes from and, insofar as any of us can, to take up Spock’s invitation to live long and prosper.

[1] Andreas Bendlin, in Der Neue Pauly 1.2 (2002) 296–298, s.v. “Volcanus”; S. Blakely, in R. Bagnall et al. (eds), The Encyclopedia of Ancient History (New York/London, 2012), s.v. “Volcanus.”

 

Commonplace Thoughts of a Residual Welshman: The Fairy Wall and Parmesan

There is a wall running along the side of a small swath of land that is the yard of the property once known as the Lizzie Ann, a countryside residence in Bucks County, Pennsylvania, quite near New Hope. That house was once a dormitory of the Holmquist School for Girls. There dwelt a young Pearl S. Buckpearlbuck long before she would become a great writer.* There, years later, dwelt another fine writer, Elaine Jakes, in that selfsame house. Yet neither Elaine Jakes nor Pearl Buck (then Pearl Sydenstricker) knew when they were living in this humble abode that they would be such writers. Pearl was quite young, apparently living there (Elaine always attested) for a short time while her parents were on furlough from their mission in Chinkiang. (That brief stay, Elaine maintained, would compel Pearl eventually to return to Bucks County to buy Green Hills Farm, where she is now buried).

The young Pearl no doubt used her time there to reflect upon the bulk of her childhood, lived as it had been hitherto and would soon be again in China. Elaine, a middle-aged woman, used a pen to reflect in her personal notebooks on her life, there divulging wistful thoughts, fond memories, and not a few regrets. She had, as you may know from The Curious Autobiography, her own Chinese period. But she did not have the kind of family that her parents had enjoyed. Nor had she had the family that her sister did, nor that of Pearl Sydenstricker Buck. Rather, Elaine lived alone; she dwelt with books as her principal companions. Books were voices of the past, a past not her own, but no less important for it, creators of memory that she never had. They were, as they are for any good reader, best friends.

Hotel du Village signFor that reason she was never lonely. Another reason that she was not lonely were the fairies that lived in that wall, the yard’s far wall that separates the Lizzie Ann from the Solebury School’s lower campus, which would later be rechristened the Hotel du Village—a title I always found just a bit off, as there is no village (as pronounced in French or English) in the immediate vicinity of that complex structure. It had been, after all, the women’s campus of the Solebury School, a direct descendant of the Holmquist School for Girls. Today it is an exquisite, even sumptuous, bed and breakfast, still separated from what was the Lizzie Ann by the fairy wall.

stone wallThat wall was not significant for its natural luster, for it had none, unless one were to value its rustic feel and the rusticity of its rusticated concrete patches, for it was a crudely made concrete wall, with smoothed-out swatches of cement alternating quixotically with small patches of jagged stone, sometimes bedecked with moss, other times hidden behind weed-like wildflowers that grew out of cracks in the wall. No, this was by no means a wall of Nehemiah, no rebuild per se, yet it did show evidence of repair. Most significant were its cracks, which gave it some sense of venerable authority, if nothing else, while at the same time providing a place where fairies abode, who only emerged about dusk—and quite gingerly at that.

LucyHJonesTrunkIt is well known that the elfin hob of the Lizzie Ann had some commerce with these fairies, though he was loath to admit as much. He was, the reader will recall, a stowaway in the black trunk that came from the old country, from Wales, specifically from Llanelli (not at all pronounced the way it looks), or rather from a tiny suburb of Llanelli called Llwynhendy (also not pronounced the way it looks). That curious state of affairs and hitherto unseen development in human/Hobian relations has been well documented, both in previous iterations of this blog and in The Curious Autobiography proper. Yet the fairies were never mentioned there, in part because their actual provenance was, and remains, entirely unknown. There is a rumor that they first came from Piccadilly (but that would make them English), which in any case seems a mere onomatopoeia based on the ridiculousness of the word Piccadilly itself.

Clearly the fairies are not domestic. I say this because they normally took coins, with preference given to British pence or Canadian cents, from a coin dish—for Elaine kept such a dish—in the living room of the Lizzie Ann or from the tips of the less generous tippers at the Hotel du Village. These coins they would place, with great caution and entirely surreptitiously, in the zig-zagging wall cracks. Some say these were the doors of the fairies’ houses, but this is mere speculation, and ill-informed at that. Rather, I am certain that this numismatic collocation was an altruistic act, however one may parse it, as the coins were obviously placed there for the children who played in the yard to find. I shall in a future blog enlarge upon who these children were and precisely what their connection to Elaine Jakes was. Suffice it to say they had little money of their own, as they came from a family of modest means. Even the youngest of them, a little girl who once wanted to stay four years old forever, still remembers. The fairies knew about the children’s less than affluent circumstances and thus took—some might say “stole”—these coins for the children’s delight in the finding, mirabile inuentu puerili.

That fairies commit such acts should come as no surprise. Even the entirely undocumented and frankly ridiculous myth of the “tooth fairy” demonstrates that fairies are amply capable of transporting coins great distances. And, as obviously even a mythical creature such as the tooth fairy has no money of her own, she would have to have procured said income by clandestine, dubious means. Normally she would filch it from the parents of the child whose tooth was lost, of course, which is why parents are often believed to be the actual givers of money for teeth.

Gwilym the elfin hob
Gwilym the elfin hob

But I wax mythological. Let me return to the wall fairies of the Lizzie Ann, beings far more valid than the so-called tooth fairy. Those of the wall, while they may have been irritated from time to time by Gwilym the household hob—no doubt, if they were taking money from the change bowl—must have been in cahoots with him for this ultimately altruistic business, as I doubt he would have tolerated their frequent entrance into the Lizzie Ann unless he were in on the project. He did, it is now known, have a soft spot for children. And for cheese. And thus, undoubtedly, the fairies softened up the otherwise occasionally crusty andparmesan not infrequently sarcastic Gwilym with rather hard Parmesan cheese, the block version of which was his favorite non-Welsh cheese; he was otherwise always de gustibus loyal to the domestic Gymreig Hên Sîr—non disputandum.

His Parmesan leanings, however, were in evidence from the fact that he would regularly purloin that Italian cheese when it was left out, which it was from time to time, on the cheeseplate, whose covering bore the features of a face that had for generations frightened all the small children in the family. When that cover was in place, Gwilym had no chance to get to the cheese—no chance unless the fairies (obviously working as a team) would en masse lift the cheeseplate’s ponderous and stunning lid, while other fairies pulled out a giant glob of Parma’s best contribution to the world. Indeed, I’ve rarely had a better moment than eating Parmagiano in Parma, the city in which I was enjoying the cheese at Tiffany di Gianpaolo Conciatori just two weeks ago, so I understand Gwilym’s penchant, or rather his weakness, too well. At this point, I must publicly admit that I believe there may also be a dairy fairy, as Paestum’s mozzarella di bufala is a strong competitor to Parma’s Parmagiano. (If ever you are in Paestum, be sure to eat some at Nino and Sandro’s Ristorante del Hotel Poseidonia Mare, near the beach; for pizza in Paestum, try the world’s best da Pasquale at the Taverna del Parco on the aptly named Via Nettuno, no. 45).

Pasquale, owner of Taverna del Parco and best pizza chef in Italy
Pasquale, owner of Taverna del Parco and best pizza chef in Italy
View from Ristorante Taverna del Parco
View from Ristorante Taverna del Parco

But I laud the fairies, not simply for their industry but their desire to provide poor children with coins, which no doubt they in turn merely used to buy candy or some other ephemeral treat. Yet there is the important point. The fairies found purpose in giving, both giving Gwilym delight and, more importantly, the same to the children. They held a common goal of serving and working as a team, working together for a greater end. And there just might be something for us people, to learn from these fairies, whatever their provenance.

So raise a glass to those flitting sprites the next time you partake of wine and cheese, or walk beside a garden wall, or think of China or Pearl S. Buck, or think that you may have encountered an elfin hob, or can’t find the right change, or any change, in your change bowl, or, at the very least, when you brush your teeth. And forever keep in your heart the lesson of the fairies, whether they come from Llanelli, Llwynhendy, or Picadilly. Such a silly sounding word.

*I have no proof Pearl S. Buck lived in the Lizzie Ann; nevertheless, this is something Elaine consistently maintained.