Tag Archives: Kingston

Commonplace Thoughts of a Residual Welshman: The Christmas Yard (Part 1, The Gift)

Along time ago, my mother, Elaine Jakes, gave me a gift. It was Christmas time, the first Christmas in New Hope, Pennsylvania, whither she had migrated from Shermans Dale, a tiny hamlet near Harrisburg, Pennsylvania’s state capital. Though she had gainful employment in Shermans Dale teaching fifth grade in Blain Elementary Schoolblain mascot, with all due respect to the “Mustangs” mascot, she had left that dale because, frankly, she didn’t like it.

And neither did I. I didn’t like being isolated from other children—we had moved from Oxford Circle in Philadelphia where there were plenty of other kids to play with on my block—and she didn’t like how the unrefined attitude of the rural townsfolk could manifest itself. It seemed a place, to my mother, devoid of the grace that she had grown up with and, at the very least, admired in Kingston, where her parents had a church home and a true home. To me, it was simply a place devoid of other children.

Oxford Circle
Oxford Circle

Yet soon she moved to and dwelt in New Hope, and there she and Sheila celebrated Christmas, even though by then we were Jewish. I think that the reason for this obviously non-Jewish celebration was not simply because my mother had been raised in a Christian (Welsh Presbyterian home) and had never quite given up on the notion of Christmas but also because an aged and quite lovely pensioner, Mr. Charles Miller (erstwhile briefly professional baseball player and composer of the musical score for Raggedy Ann and Andy), lived right next door to—or rather, just across the parking lot of—our downtown New Hope apartment at 14 West Bridge Street; and he was alone for Christmas.

New Hope at Christmas
New Hope at Christmas

Elaine and Sheila’s inner goodness could not brook such a situation: he simply had to have Christmas breakfast, and thus we should celebrate Christmas, at least for Mr. Miller. Of course, I did not argue, because that should mean that I would likely receive not simply Hanukkah gifts but also at least something for Christmas, as the situation dictated.

And so it was the festive occasion, with Mr. Miller enjoying a lavish Christmas breakfast of pancakes and bacon (sic) and me sneaking a piece or two of bacon myself and, better yet, receiving the undo reward of an extra holiday gift or two. But the greater gift was not the gift of the gifts but the gift of Elaine’s storytelling, for she took the opportunity to set up a Christmas tree—Mr. Miller simply could not come to a house adorned merely with Hebraic Hanukkah decorations. dreidelIt was not that I had to put my dreidel away or not don my yamaka. The shamash and the first candle (to the far right) of the menorah would burn brightly. menorahThough technically, since in 1967 the first day of Hannukah was not until the 26th, it should have been lit the next night, Elaine moved it up to Christmas day for Mr. Miller’s sake.

Thus, far from hiding it, we would put on display the polytonal multi-culturalism of our curious household, while at the same time celebrating Christmas for Mr. Miller, though perhaps more than simply for him, for Elaine ever adored Christmas: in reality, the celebration of Christmas would be for us all. And one important aspect of that celebration occurred the night before, when we hurriedly set up the Christmas tree and the Christmas yard, something of great fun and greater consequence for a young lad, for it involved storytelling. And that is a gift that lasts.

The story of the Christmas yard, which begins in this blog and will have three more installments this month began with hastily placing a number of small houses inherited from her grandmother, Elizabeth Ann Evans, made of thick paper and covered with glitter paint on a small platform beneath the Christmas tree. Now I think many a family may have a similar tradition. Elaine did not simply create a small yard, a replica of a town where “Santa” comes, but she created a town that needed social justice, a town that needed grace. She did not articulate it in those terms; that I will do. Rather, she created the town and its environment and thus deserves credit here for seeing that these would be the very issues that dogged our society then and continue to dog it now. So, what began with Elaine, who even on her long journey toward personal grace was acutely aware of her own and the world’s need for it, continues here. And now, the story of the Christmas yard.

Under a large tree lay a small town, small enough, but also big enough. It was small enough for anyone to know nearly everyone else. The fresh pine scent of the large tree that loomed over the town—a tree decorated once a year by the townsfolk to celebrate Christmas, though not all of them went to church or even believed in God—pervaded the town, particularly after its denizens had climbed the tree to adorn it with bands of colored paper meant simply to make the tree look more festive. Small boxes meant to represent presents, all neatly wrapped, dangled from its branches, which were themselves bedecked with garlands and tinsel—the old fashioned kind made of actual tin alloyed with lead—that gleamed in the bright moon’s light.

There was no particular year for the setting of this Christmas or this town, though one could tell by examining closely the style of the small replicas of automobiles that the year that the artificial yard beneath the Christmas tree was meant to represent must have been something like 1940, or perhaps 1945 or, in any case, thereabouts. It was a time a long time ago now, not quite a century, but certainly a long time. It was a town that never existed, but really did exist, or at least exemplified what existed, and showed the potential for what humankind might strive toward or, perhaps better stated, be receptive to.

Christmas yardBut I leave that aside for now to get back to the Christmas yard and what made it unique, beyond the obvious fact that it was the subject of Elaine’s story, Elaine’s unending gift of storytelling. And so, to get back to it, I shall merely repeat the gist of her story. It began with not simply the lay of the yard into two sections—the poor section and the rich—or even the dichotomization of the Jews and the Christians (which from the Jewish perspective were gentiles) or other races. It began rather with a pastor, appropriately named Reverend Griffith, out for a walk.

Now though the Reverend Griffith of her story bore the same name as the Reverend Griffith in whose church she had grown up, Elaine made it quite clear to me that this Reverend Griffith was not the historical pastor, who in Columbus, Ohio, in 1920 delivered the keynote address at the Presbyterian General Assembly encouraging all Presbyterians “to live out Jesus before the world.” No, the character in the story, she said, was “based on” that Reverend Griffith, but was not him. Of course I had deduced that already, as the Reverend Griffith before me was a leaden figurine about 2 inches tall. Yet that is what she said, as she opened her story.

Christmas was in the air, just a few days away, when Reverend Griffith was, as he was every Monday evening, out for a walk, when a lad of about nine years, whom Elaine called David—“It’s the name I wanted to name you,” Elaine quipped, “but your father wouldn’t let me”—recognized him from a distance and ran up to him.

“Can I help you carry those packages, Reverend?” he asked politely.

“May, not can, David… and no, no need; I’m just about my errands.”

“Can I come with you, then?”

“May, not can, David… and no, you should stay near your home, my friend, as I’m going about the entire Yard.” The town was called Christmas Yard, and the residents often shortened it to the “Yard,” sometimes with an adjective inserted between the article and the truncated name proper.

“But Christmas Yard is a small town, and I’ve been everywhere in it. I know it all so well.”

As David was an only child without a father, the reverend thought it better not to take him along. “I’m off now, and you stay here. Is your mother home? You should stay home.” And having given the lad this final directive, off went the right rector with his packages bundled with string and brown paper tucked under his left and right arms. Indeed, the nine-year-old David was perceptive to notice that the promenading pastor could have used some assistance.

Yet, Elaine was careful to note, David was a curious lad. He just had to know where the reverend was going, so he surreptitiously followed the pastor. How I loved it when my mother used adverbs to which none of my other friends had regular access. Thus did she surreptitiously cause my vocabulary to wax.

David noticed that the reverend took his many packages not to the public crèche—for they were legal in those days—where there was a collection bin for presents for the poor. Rather, reverend Griffith carried them a long way, to the extent that anything in the Yard was a long way off. He crossed over the railroad tracks, passing over a small completely-wooden bridge beneath which was a glistening ice covered pond (represented by a small mirror) hemmed by a snow made crisp with frost, and approached what was perhaps the smallest house in the Yard, though it was not uncomely. There dwelt the Pínqióng (pronounced “Pin-chiong”) family, Elaine said. Mr. Pínqióng worked in a factory outside the yard, under the nearby divan, and Mrs. Pínqióng made cookies and biscuits for the Yard’s only restaurant, the Golden Pump. Though they were very poor and barely made enough to buy the ingredients to make the cookies to sell, you might nevertheless smell Mrs. Pínqióng’s baking throughout our own home sometimes, Elaine said, during the Christmas season. That was the first house where the reverend stopped.

Ukinami
Mr. Umaskini’s house

After a few minutes the good pastor came out with a few less packages and proceeded to cross over by two streets to Mr. Umaskini’s house. Now Mr. Umaskini lived alone. Though his name sounded Italian to me, I could see from the figurine who represented Mr. Umaskini that he was a person of color, so I asked if that was in fact the case. Apparently, I could tell from Elaine’s response, David had asked the reverend the same question when he had emerged from Mr. Umaskini’s modest home, shaking hands with him on the porch, and indeed, Mr. Umaskini was, as David thought, of African descent, and, like the Pínqióngs, poor. Reverend Griffith then proceeded to the house of another poor person, this time a Welsh woman named Mrs. Llymder, and then to the very small house, nearly a hut, of the Armut family, German immigrants.

The Armut family house
The Armut family house

“Why did you go to the houses of those people?” David asked after the Reverend espied him following and signaled for him to come along for the remainder of his mission.

Detecting something perhaps a bit more than mere surprise in David’s voice, Reverend Griffith responded, “Because they’re people.”

“Do they go to your church?”

Rev. Griffith's church
Rev. Griffith’s church

“No they don’t. Not yet.”

“Why did you visit them then?” David wondered aloud.

“To bring them packages.”

“What was in the packages?”

“It’s not so much what is in a package as it is what it means,” the reverend responded cryptically.

“What did it mean?” the curious lad kept probing.

“You mean, what does it mean?”

“Why do pastors always have to sound like philosophers?” the precocious lad queried.

Their conversation went on a few more minutes in this vein, with David never learning what was in the packages or quite ascertaining precisely why the peripatetic pastor had gone to the houses of folks who were not his own parishioners in the first place. He deduced that it had something to do with Christmas, with the true meaning of Christmas.

And this is where the story of the Christmas Yard begins, with a unique expression of love by a Welsh Presbyterian pastor for those different than himself, those who did not belong to his flock. But it will not end here. It will continue, as did (and does) Elaine’s story. I hope to find you curious about what comes next, next week. For now, goodbye, in the truest sense of that word, and though it is still a few weeks away, Merry Christmas to you, in the most expansive sense of that expression.

 

Commonplace Thoughts of a Residual Welshman: Workshops and Sanctuaries

“Buona sera, good evening,” he said what seemed to me a trace of a Swedish accent, “My name is Helge. It’s a manly name, a Viking name.” In fact, it is a holy name, related as it is to the German heilige, as in Heilige Geist (“Holy Ghost”). Thus, while the Vikings no doubt used this word as a perfectly “manly” name, it has connotatiVilla of San Micheleons, as does many a name, well beyond even the immediate context of a Viking village, let alone the cocktail reception for a musical recital at the Villa San Michele on Capri, where I first met Helge Antoni.
There he was with his lovely wife, Marisa, and the three of us along with a number of other interlocutors who dropped in and out of our conversation chatted in multiple languages—German, English, French, mostly Italian—about music, art, literature and the intoxication that Anacapri provided through its breathtaking vistas and villas, soul-charming alleys and ambulatories witape-on-the-roadh various twists and turns. Indeed, virtually no one drives in Anacapri, unless one has a very small vehicle such as a scooter or a “bee” (in Italian, ape, entirely unrelated, of course, to its false English cognate “ape”).

As I walked home from that evening’s lovely concert it dawned on me that I had met a world-class and quite famous musician, and in Marisa, his athletic wife, quite a fine Pilates expert. Little did I know, however, that I would enjoy much more than a mere conversation, that our friendship would blossom, that Helge would become like a brother to me. That such a circumstance could possibly arise was soon enough apparent to me from his and Marisa’s warm invitation to join them for drinks the following evening at the nearby mountain villa where they were staying.

And so it came to pass, in our evolving friendship, Helge, en route to a concert a year later, would come to visit me in the States, on which occasion I was reminded afresh of something I already knew but had, I suppose, forgotten or had at least not brought to the front of my mind for quite some time. Yet I had known it well, as I had so many other important things, already when I was a child.

That thing that I had known was the idea of a sanctuary. I am thinking in this case of the small workshop of my grandfather, Harry Jakes. It was anything but fancy, more or less just a workbench in the basement of my grandparents’ home on Rutter Avenue in Kingston, Pennsylvania. My mother, Elaine Jakes, lived with her parents for three years or so after her divorce and during those years my grandparents in many ways played the role of Wilkes Uparents for me while my mother finished her college education at Wilkes College (now Wilkes University). There Elaine, having enrolled for a second time after a scandalous dismissal which you may already know from The Curious Autobiography, studied English literature and history and was a makeup artist for the Cue ‘n’ Curtain theater troupe. Had she not had a young child, she might have been an actor in that troupe, but that, I think, is the stuff of another blog.

Photo by Brian Smithson.
Photo by Brian Smithson.

To return to my grandfather’s workshop: it was a magical place, truly glorious, where the sound of his old electric drill provided Scipionic music of the spheres. There it was a privilege to enter and to spend time simply listening to and watching the master craftsman at work. Of course, he was not a real “master.” He was merely a man then nigh unto his retirement years who was handy around the house. If it were broken, chances are Harry could have fixed it. If something needed a slight adjustment, he would use his creative powers to adjust it. If a unique dohicky had to be designed for a specific purpose, Harry would invent it. He was one of those rare people who could look at something broken and envision it in a fully repaired state—a mystical healer of humdrum objects. Owing to that particular trait, I, my cousins, and anyone who might enter that house on Rutter Avenue, which had once been the house of the family’s childless matriarch Aunt Jemima, all marveled at him.

Harry found in his workshop, it seemed to me, a kind of sanctuary, for it provided him with a respite from, almost a kind of therapy for, the worries of this world for him to work with his hands repairing things. Perhaps it was the metaphor of healing, after all, that offered him a powerful solace. But I also think that there was something about the attitude that was required to enter the place, that workshop that provided sanctuary a word that implies both that the place is a safe place and holy. The word itself, though it means “holy” comes to mean a place of refuge, a place of asylum, just as Helge means holy but becomes, to use Helge’s words, “a manly name, a Viking name.”

As I grew up and especially after my grandfather’s death I had to find other workshops, other sanctuaries. One of these I had stumbled upon before his passing, for as a teenager in New Hope I would often frequent the office of a local writer, John Pfeiffer, who wrote anthropological treatises for the popular market. He did a good deal of research for each of his books, and allowed me to visit him to pick his brain about writing and about the possibility of having a career as a writer.

Photo by Wally Gobetz.
Logan Inn. Photo by Wally Gobetz.

Carl Lutz’ workshop was the kitchen of the Logan Inn, the original inn of New Hope (the borough once called Wells Ferry) which, in the early eighteenth century, the town’s founder John Wells owned and operated even before New Hope was called Coryell’s Ferry, which it was after it was called Wells Ferry; all this is the stuff of another, in fact a previous blog. For Carl, who would later become the mayor of New Hope, the busy kitchen of the Logan Inn provided him with a kind of refuge from the business of running the Inn and, eventually, the whole town.

I should mention two other places that served as (and three other mentors who ensured) workshops and sanctuaries for me. One of these was Professor Phil Lockhart of Dickinson College, another Tom Corey, pastor of one of Philadelphia’s truly urban churches; the third, Mrs. Zinaida Sprowles, self-described peripatetic pedagogue, who bore workshop and sanctuary within, demonstrating that such a place need neither longitude nor latitude. Each of these provided refuge away from the stresses of life, and with them one did not merely learn what it meant to be an apprentice in an art, such as writing or cooking, but in life. With them I found myself often puzzling about bigger questions regarding meaning and significance, about what words meant, not merely how to craft them. Each of them showed how to read and, based on what was read, offered insights about what to write. In their sanctuaries where I pondered how to function as a human being, how to walk, indeed to see, in this dark world and wide, and how not to allow that one talent, which is death hide, to stay lodged, useless. But I wax poetic. Suffice it to say that in those sanctuaries I pondered the questions that would give me pause, that would compel me to understand that to be a proper human being requires participating in humanity’s pain and, eventually, would place a pen in my hand for that very purpose.

Helge Antoni, pianist
Helge Antoni, pianist

“Have them sit down,” Helge said, as he bestrode the piano in the college chapel, spacious enough for the master class that he offered to the assortment of musically trained college students assembled there. I watched and listened as they played in this makeshift workshop, a sanctuary in more than one sense, for Helge had lived up to his name, creating a sanctuary, whose walls were forged from notes and whose roof was made of wafting chords, supported by occasional applause and masterful instructions to a true master’s students in a master class. There I experienced sanctuary again, in a workshop that was no workshop, for it normally was a place of faith—not works, lest anyone should boast. And I realized again, as I sat there watching the love he had for those students and their warm responses to his gentle admonitions and corrections, that here learning could happen afresh, in a sanctuary. I remembered the teachers of my sanctuaries, from Harry to John to Carl to Zinaida to Phil to Tom, and back again to Capri, where I had met Helge.

“Heavenly,” the appropriately named master thundered after one of the students had played her piece, “just heavenly …” adding, after a decorous pause, “Wasn’t that glorious?”

“Indeed,” I thought, “it was.” But I was thinking of something much larger than the fine piece that the student had played. I was thinking of sanctuary and the sound of an old electric drill when I replied, “Truly, Helge, it was.”