Tag Archives: Johnny Gruelle

Commonplace Thoughts of a Residual Welshman: Christmas and Baseball

Christmas Excerpt from The Curious Autobiography of Elaine Jakes (pp. 108–114):

Simply being the neighbor of Mr. Charles Miller—the cowriter with Johnny Gruelle and Will Woodin of Raggedy Ann’s Sunny Songs, music that had made him famous some forty years before I knew him—helped me, if not to remove, at least to assuage the pain of some of the blotches on the escutcheon of my character. Mr. Miller’s deliverance came not by any words he said, though his words were kind, but merely because Sheila and I made Mr. Miller the object of our annual “Christmas ministry.” This sounds strange, I realize, because, as I have explained earlier, both Sheila and I (especially Sheila, but also I, if only incidentally) were practicing Jews. Yet I had recalled and now imitated my father’s various ministries to persons of poor fortune, many of which had been performed under the auspices of the church, of course.

Harry always went further than the mere parameters of any ministerial mission. If the church’s holiday ministry were to bring a poor family a Thanksgiving turkey, Harry would size up that family when he brought in the bird, accompanied, in accordance with the normal Jakesian attitude of generosity, by a full range of fixings and fresh bread and good Welsh Hên Sîr cheese. Having guessed the sizes of the children’s clothing, he would then go straight out to the army/navy store on Wyoming Avenue—for he loved to buy his clothes in that particular store—and buy ample amounts of clothing for the family. He would then put it in a box and leave it on the porch of the family so that they would find it when they came home. Indeed, Harry loved to use porches to give unexpected presents. On the occasion of my son’s fifth birthday, for example, Harry sent the excited lad out of doors to get the paper. Upon returning, my son delightfully discovered, hard by the front door, a shiny red bicycle with training wheels.

Such were the days of joy when we lived in my father’s house. But I return to Mr. Miller, whose special breakfast we served, every Christmas from 1968 to 1971. This gentle little old man incidentally provided me with a baby step toward redemption, not by works—lest I should have boasted, which, I confess, I did—but by the infusion of grace, through faith that had not yet come to me, but was en route, if coming in a slow boat. Among his rich and varied accomplishments, Mr. Charles Miller had briefly played professional baseball when he was twenty years old for the 1912 St. Louis Browns. […] Mr. Miller and I lived just behind Rob and Rich’s store, and we slowly became friendly. Mr. Miller was virtually a shut-in by the mid-1960s, when he was already an old man, and Sheila and I invited him to Christmas breakfast. We knew he was not Jewish, and, though we were, we knew that he should not spend Christmas Day alone. Added to this was the fact that he clearly enjoyed our company. So, each year on Christmas Day, I would prepare him pancakes and bacon, though Sheila meticulously avoided eating any—nor would my son. I perhaps snuck a piece or two during the preparation of the unclean meat, but, I rationalized, this was only to ensure that it was properly cooked so that we would not make Mr. Miller ill.

The delightful old man therefore offered Sheila and me a good excuse to celebrate Christmas, something I had sorely missed ever since quasi-converting to Judaism in 1964. I had always loved the story of the wise men, and, nearly as much, I wistfully recalled Christmas carols, with their eternally optimistic message of hope for humankind. Besides, having Mr. Miller over gave me an excuse to set up the Christmas yard, which I had loved to do since childhood. The Christmas yard, in turn, provided a reason to get a Christmas tree, which afforded me the opportunity to trim the tree and decorate the apartment, and of course to send out Christmas (and Hanukkah) cards, which gave me a pretext for celebrating both holidays, though emphasizing Hanukkah, of course. And celebrating Christmas allowed me again to create a space for my parents in the holiday season, because they could then visit us, mutely rejoicing in my gradual return toward Christendom with every Christmas present they gave their grandson. Perhaps to deemphasize the material aspect of the holidays, I would always tell my son in advance of Christmas specifically what Harry and Blanche had bought him, and then instruct him to act surprised on Christmas Day.

“Why, Mother, why?” he would ask.

“Because you don’t want to hurt their feelings.”

“No, not that. Why,” he would inquire, “do you tell me every year what they bought me in advance?”

“So that you can act surprised,” I would say with a mildly aggravated tone.

“No,” he would say, “I mean, why don’t you just not tell me so I can actually be surprised.”

“Because, if you were not to like what they bought you, you would not want to hurt their feelings, would you?”

“But Mother, in that case I could just act like I liked whatever it was that they bought me. Besides, I always do like what they buy me.”

“Just shut up and act surprised. More tea, Mr. Miller?” I said on Christmas morning, 1968, changing the topic of conversation.

“Yes, that would be fine, thank you.”

“What was it like writing all that music, you know, for the Raggedy Ann musical?”

“Well, it was exciting. We were in the big town in those days, in New York, I mean. Johnny Gruelle and I would go to the apartment of one of our closest friends, Will Woodin. Locking ourselves in for the whole weekend, we would just compose, and we would compose for hours. I mostly wrote down the musical scores while Johnny worked on the lyrics with Will, though we all worked on all of it together. I was the purest musician, and Johnny was the storyteller, while Will, whose true gift lay in keeping the finances, did a bit of both. Those were great days, and I was able to quit my job at Harms music and start my own business. There were tough times, as well, because in the midst of all our activity the stock market crashed and the whole country suffered in, well, you know, Elaine, the worst of times. My company survived, but just barely. Still, we had a lot of fun in the midst of the storms of life.”

“My mother spoke many times of those years,” Sheila said, “often with tears in her eyes.” This was a fitting statement, for I thought I saw a bit of moisture coming to the eyes of Mr. Miller himself, whether it was merely his age or the nostalgia that the moment afforded us all.

“Yes, those were hard times, but Christmas always got us through, not simply because it was, and is, such a hopeful season,” Mr. Miller explained, “but because the sales of my musical scores did much better during that season of the year.”

“Did you write more music with Johnny Gruelle and Will … what was his name?” Sheila asked.

“Yes, we did work on a few more pieces together. But Will—Will Woodin—was only a musician on the side. His day job was that of a financier, and had our compositional trio stayed together, I’m sure Miller Music Co. would have made it much bigger than it did, for after leaving Harms—a name I always thought was too foreboding to have lasting success—I set up my own music business. And Will, well, boy did he make it big! Having garnered quite a name for himself in the financial world, he was tapped by none other than President Roosevelt to be the secretary of the treasury. This occurred during the critical years as America struggled out of the Depression. So fine at what he did was Will Woodin! About the same time Johnny had been having some health issues, so he moved to the warmer climes of Florida, which spelled the breakup of our team. Ah, but we had some great days in New York in the late twenties and early thirties.” He paused reflectively and added, “You know, my dears, I have no regrets, no regrets at all. It really was a wonderful life.”

“Mr. Miller, did you really play pro baseball?” My son piped in. “Mom said you did.”

“Well, as a matter of fact,” he said, stretching forth the neatly wrapped box that his old and wavering hands had brought with him, “I have a Christmas present for you, son. You open it, and I will tell you about my not-so-stellar baseball ‘career.’ ”

My son opened the box to find within a beautiful new baseball mitt. Mr. Miller explained the gift: “It’s a Rawlings infielder’s mitt, signed by Eddie Mathews. You know Eddie Mathews, don’t you? He was the famous third baseman of the once Boston, later Milwaukee, and lately Atlanta Braves.” He paused as my son turned the mitt over in his hands, sliding it on his left hand. “Mathews, you know, took Milwaukee to the World Series championship in ’57. What a fine long career Eddie had! He finally retired, playing his last season with the Detroit Tigers, just this past year,” Mr. Miller said smoothly, though it was clear that he was carefully reviewing the details of Eddie Mathews’s career in his mind even as he spoke.

“You can use this mitt for any infield position, except first base. I think you’ll turn out to be an infielder, son; I just have a feeling. You have a good baseball look to you, and a good baseball name.”

“Wow, Mr. Miller,” my son said, “I never had a mitt before.”

“Break it in well, my boy, and put plenty of oil on it. Oil’s the best stuff for a new mitt.”

So the next day my son went to Ristorante Villa Vito and oiled his mitt with a generous helping of Signora Favoroso’s olive oil, in which she had been soaking three cloves of garlic. For this reason his mitt always smelled more delectable than those of the other boys.

“My baseball career, I’m sorry to say, was, unlike Eddie Mathews’s, very short lived. I only ever played one game, coming up to bat twice, and grounding out both times. But my moment of fame, such as it was, came on a diving play in the infield. I was the St. Louis Browns’s new shortstop, young—if you can imagine it—energetic, and known for my glove. You know what I mean by ‘glove,’ don’t you? It’s baseball talk for fielding ability.

“Now I wanted to show the manager, George Stovall, that I could really play. The Browns had been terrible the year before and were not doing so well even for George, who had just taken over his managerial role, and was thus trying all kinds of things to get the team on a winning track. He wanted a good defensive unit, and when he heard about my fielding capabilities, he put me out there at shortstop in the seventh inning, hoping for my defense to help the team close out that game with a win. This was important because we had lost more than a hundred games in 1911 and we were on a similar trajectory that year. So here I was, fresh to the majors—I had only been called up at the end of June—playing what would be my one and only game on August 19, 1912, against the crosstown rival St. Louis Cardinals.”

“Oh, the nineteenth of August. That’s my birthday!” I piped in.

St. Louis Browns logo (1911–1915)

“It was the bottom of the ninth, and, as I said, I had batted twice already, to no avail, but now I was in the field at my shortstop position and ready to help our team close out this game with a win. A runner was on first, and there were two outs. Crack went the bat, and the ball went toward our third baseman at a clip. Lunging to his left, Jimmy—Jimmy Austin—snagged the ball and then zipped it toward second where I had to reach for it. The ball was thrown low, toward the legs of the base runner in full slide. I caught the ball, and tagged the runner, but I heard a loud popping sound as I tagged. Nevertheless, I managed to get the ball out of my mitt cleanly and fire it off to first base, completing the double play and getting us a badly needed win.”

“What was the popping noise?” my son asked.

“When I looked down at my arm, I saw my hand just hanging there by the skin. The wrist bone was completely severed, and the pain was, well …” He paused and lifted his left hand, pulling up the sleeve of his old man’s cardigan sweater to display the slightly misshapen limb. “I could never play baseball again. But as you can see, over time it healed, if a little crooked. That’s why I pursued my second love, music, and became a musician. And, thus, my life healed, too.”

It was time for cheese now, and I brought out my cheese plate, thanking God without words that Mr. Miller had forced me to keep Christmas, if not in my heart, at least in my home. It’s funny, I thought to myself, how Christmas is like the pungent smell of certain types of cheese. It has a kind of buoyancy, an annoying obstinacy. I later realized that Christmas shares that characteristic with Welsh Presbyterianism. Though we had eaten breakfast less than an hour before, Mr. Miller indulged in a sizable hunk of Hên Sîr cheese on a Carr’s water biscuit.

“The face on that cheese plate is, for all its luster, rather disturbing, Elaine,” Mr. Miller said, as I served him a second piece of the flavorful Welsh cheese. “Would it be possible, do you suppose, to turn it round the other direction?”

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